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‘The Gravedigger’s Wife’ :: Somalia’s first-ever Oscar submission 2022
Charming and wistful without ever feeling maudlin, The Gravedigger's Wife is a beautiful love letter to the power of love and family. It is a striking first from a filmmaker and cast..
ANTIGONE - HOW DARE WE!
Slavoj Zizek’s modern adaptation of Antigone brings the ancient tragedy up to date, with politicians and decision-makers in all roles. Antigone is used to explain democracy, the women's movement and moral philosophy - by both opponents and supporters of totalitarian..
Timbuktu :: The Nightmarish Perversion of "Justice"
Timbuktu movingly attests to the human will to resist the terrors and injustices of absolutism. It encapsulates the essential truth of violent extremism: to destroy grace and beauty..
‘HYENAS’ :: Another newly restored Masterpiece!
The Senegalese director Djibril Diop Mambéty's allegory about the destructive effect of global financial powers on society's morality has been newly restored...
When a City Rises :: Sydney Film Festival
One of the most complete accounts of the Hong Kong pro-democracy protests to date. It’s also, at times, an unbearably tense picture which unfolds with urgency of a thriller..
‘In Between Dying’ :: Hilal Baydarov’s seventh film in the last three years
The enigmatic and strangely arresting tale of a man who can't escape death. In Between Dying is a rather curious cinematic experience, but it’s one that is striking and unique in its..
VENICE 2021 :: Ennio: The Maestro
Ennio is Giuseppe Tornatore’s well-rounded portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of..
Cinema Regained :: The new restoration of Chess of the Wind
A long-lost, legendary classic of Iranian New Wave cinema, The Chess Game of the Wind, was probably the most internationally celebrated revelation/restoration of 2020..
It's Showtime :: The 14th Annual Iranian Film Festival - San Francisco
Due to the current pandemic situation, the Iranian Film Festival will be VIRTUAL this year, presenting a record-breaking 60 films at its 14th annual event, September 18-19, 2021..
HAUGESUND 2021 :: Charlotte Sieling :: Director of Margrete – Queen of the North :: Interview
The Danish director discusses her film about the monarch that ruled Scandinavia. Ten years in the making and going six centuries back,..
VENICE 2021 :: Awards
Venice’s Golden Lion goes to Happening by Audrey Diwan. Other big European winners of the evening include Paolo Sorrentino, awarded the Jury’s Grand Prize for The Hand of God, and Penélope Cruz who..
Avicii: True Stories :: So wake me up when it's all over
An Icarus style portrait of a sensitive young man who was thrust too readily into the hedonistic world of the international music scene..
Movie Review :: The Macaluso Sisters
There's undeniable beauty and truth to The Macaluso Sisters that cannot be overlooked. Genuinely moving, captivating and, most importantly, grounded in pure, unadulterated humanism..
Samereh Rezaie :: Actress and director
Afghan actress- director Samereh Rezaie talks about how important it is for the international community to continue supporting women and human rights in Afghanistan..
VENICE 2021 :: Orizzonti :: Promises :: Isabelle Huppert
Promises opened the Orizzonti line-up of the 78th Venice Film Festival - follows the current French film trend of broaching topics associated with public governance where..
Margrethe II, Queen of Denmark, hired to design set on new Netflix film
Queen of Denmark is to design the sets for a forthcoming Netflix film adapted from a novel by Karen Blixen, it has been announced..
‘Stillwater’ :: A tale of hard-earned second chances
Stillwater isn't perfect, but its thoughtful approach to intelligent themes -- and strong performances from its leads -- give this timely drama a steadily building power..
Persian Lessons :: Movie Review
Director Vadim Perelman creates a skilfully unfussy period style, avoiding genre cliches to focus on characters who are finely brought to life by an excellent cast..
‘Born a Champion’ :: A love letter to jiu-jitsu
Real-life Brazilian jiu-jitsu black belt Sean Patrick Flanery (The Boondock Saints) stars as an aging fighter pulled into an underground Dubai tournament..
August 20-28
Karlovy Vary 2021

Michael Caine to receive Crystal Globe at 2021 Karlovy Vary film festival. He will join Johnny Depp and Ethan Hawke at this year’s film festival in Karlovy Vary..
VENICE 2021 Competition
'Parallel Mothers' to open the 78th Venice Film Festival
The Spanish director, Pedro Almodóvar, who claims "It was in Venice, in 1983, that I was reborn as a director" will present his film..
Cannes 2021 :: ‘Titane’ Wins Palme d’Or
Julia Ducournau becomes only the second female director to claim Cannes' top prize. The grand jury prize was awarded to A hero, of Iranian Asghar Farhadi, and for Hyutti No. 6..
‘Gringo: The Dangerous Life of John McAfee’
Filmmaker Nanette Burstein tries to unravel the strange behavior of John McAfee, who left his life as a software mogul to become a recluse in the jungles of Belize..
Berlinale 2021 :: Souad :: Movie Review
'Souad' is remarkable not just for its razor- sharp, nonjudgmental insight, but also for the nuanced performances making each character rounded yet ultimately unknowable..
Berlinale 2021
Summer Special highlights

Cinema is back in Berlin! The Berlinale Summer Special opened on June 9 with a red carpet gala. Here are a few snapshots of the event. During the Summer Special from June 9-20..
CANNES 2021 :: ‘Year of the Everlasting Storm’
A sweeping and melancholic first trailer has arrived for Neon’s Secret Cannes Project, “The Year of the Everlasting Storm.” With films by Jafar Panahi, Anthony Chen, Malik Vitthal, ..
A New Book Reveals
Why Frank Sinatra believed Marilyn Monroe was murdered

"I tried to paint the portrait of a man very few people got to know as well as I did, I think he knew someday I'd share the stories he..
BERLINALE 2021 :: Awards :: 13 June :: 2 More Winners
The Berlinale adds two more winners to its list with Alice Diop’s We and Dasha Nekrasova’s The Scary of Sixty-First. The films scored the Awards for the Best Berlinale Documentary..
CANNES 2021
Netflix Declined Cannes Invite

Netflix Declined Invites to Premiere the Palme d'Or winner Jane Campion’s ‘The Power of the Dog’ and Andrew Dominik’s ‘Blonde’. Cannes general delegate Thierry Frémaux revealed..
CANNES 2021 :: 6 - 17 July
The Cannes behemoth is back

16 filmmakers who have already taken part in the competition are battling it out with eight new entrants; 14 Europeans will be vying for Cannes’ coveted top prize..
14th Annual Iranian Film Festival :: San Francisco
Call For Film Submissions Open For the 14th Annual Iranian Film Festival – San Francisco, the first independent Iranian film festival outside of Iran. To submit your film, please..
‘The Long Excuse’ :: Review
Writer-director Miwa Nishikawa’s somber reflection on the strains of marriage and parenthood is punctuated with beautiful existential undertones. Centered on liars and swindlers — self-deception is the theme of..
Putin: A Russian Spy Story :: TV Series (2020)
An exploration of how Vladimir Putin deployed his knowledge of spy-craft as a politician, and how modern Russia evolved through an acute sense of betrayal, pride and anger..
‘Driveways’ :: Review
Won’t You Be My Neighbor?

The modest story of a mother, her son and an elderly neighbor feels like a salve right now—and gives Brian Dennehy a deserving swan song. Understated yet powerful..
Spreading Propaganda Through Films and TV
Intelligence agencies in Iran are increasingly using state-funded entertainment productions to spread state propaganda and improve their image among the public..
'Jin-Roh: The Wolf Brigade' :: Clever and Chilling Anime
In an authoritarian Japan, Fuse, part of an anti-terrorist police brigade, faces an internal enquiry. On a recent operation he hesitated to kill a female terrorist because of her youth..
Golden Globe Winners 2021 ::
'Nomadland' director Chloé Zhao won Best Director, making history as the first woman of Asian descent to take home that award, while the film itself won Best Motion – Picture Drama; Soul, Borat, The Queen's Gambit..
'How Fernando Pessoa Saved Portugal' :: Eugène Green
For years Portugal was the only country in Europe where there was no Coca-Cola. The director discusses his new "mini-film," devoted to the great Portuguese poet, advertising..
Copenhagen 2021 :: Vinterberg's 'Druk' snatches Five Robert Statuettes
In the category, Vinterberg was, among other things, up against himself, as he was also nominated for his role in the film “Riders..
Zindagi Tamasha :: Circus of Life :: 2020
‘It went from love to wanting to kill me.’ Sarmad Khoosat was the darling of Pakistan’s entertainment industry until his new film fell foul of fundamentalists – who called for him..
'No Choice' :: Tokyo 2020
It’s a slippery path up the mountain of human rights. Three good women clash when a determined lawyer takes on the case of a homeless girl against an idealistic doctor in Reza Dormishian’s legal thriller..
'Wife of a Spy' :: An intriguing marital battle
Winner of the best director award at the Venice Film Festival. An absorbing, exotic, well-paced thriller with moments of disconcerting realism and horror. Kiyoshi Kurosawa’s..
"Actress's Ears" Put Film Screening in Jeopardy
Panthea Bahram, a famous Iranian actress, whose presence last year with shaved head at the press conference to a movie made news; reacted to the removal of "Killer and..
'Hope Gap' :: A Bracingly Original Drama
There's an unusual calmness to this drama that feels bracingly original. William Nicholson's Hope Gap benefits from a starry cast in the stagey story. Nighy and Bening are as good..
'Killer and Wild' removed from the Fajr Film Festival
A movie with Iranian actress Leila Hatami in the leading role was excluded from a major Film Festival event in Iran due to her 'shaved head and exposed ears' ..
'I WILL CROSS TOMORROW'
Maria is a Greek policewoman, struggling with her money problems, teenage daughter, old mother.. Yussof is a Syrian rebel, on his way out of a war-ridden Syria. Both have killed unwantedly, both feel guilty, but together..
51st Edition Of IFFI 2021
The 51st edition of India’s International Film Festival (IFFI) kick started on 16th January at Goa, which opened with the Indian premier of the movie ‘Another Round’ by Thomas Vinterberg..
'Alone' :: Movie Review
"Alone" is admirably straightforward, exploring tried- and-true archetypes with suspenseful execution. Director John Hyams demonstrates a minimalistic knack for showing and not telling,..
'The Female Voice of Iran' :: Feature documentary 2020
Independent documentary about female singers inside Iran and their deep wish: "I want my voice to be heard." Captivating...beautiful music and stunning..
'The Father' :: Movie Review
Sundance: Florian Zeller's film makes an inexplicably cruel element of the human condition recognizable in a way that only good art can. Anthony Hopkins and Olivia Colman Inside the Brutal Matrix of Dementia..
‘Money Heist’ :: As smart as it is relentless
Like a criminal who has trapped themselves within a situation in which there’s no simple escape, Money Heist is a riveting, inescapable show with a narrative jackpot at the end of it..
'Vivos' :: Ai Weiwei's Mournful Ode to the Disappeared
Vivos is a documentary feature film by artist and filmmaker Ai Weiwei, portraying the human impact of Mexico’s ongoing crisis of enforced disappearances..
Family Romance, LLC (2020)
Love is a business at Family Romance, a company that rents human stand-ins for any occasion. Founder Yuichi Ishii helps make his clients’ dreams come true. But when the mother of 12-year-old Mahiro hires Ishii to..
'Let Him Go' (2020)
Kevin Costner excels in a gripping neo-western thriller. Let Him Go is a moving and gripping Western with particularly strong performances from Diane Lane as a grieving yet resolute mother and from Lesley Manville as her..
In Memoriam of Korean filmmaker Kim Ki-duk
In the small pool of filmmakers known for being provocative, Kim Ki-duk was the oddest of ducks. South Korean filmmaker Kim Ki-duk has died in Latvia aged 59 after contracting..
'The Life Ahead' (2020)
Loren has made it again! She's an absolute Goddess. The characters are colorful and empathetic, and even if the plot is simple, the cast keeps it up. Specially, Sophia Loren.. Sempre adorabile!
'What We Did on Our Holiday'
An exceedingly funny comedy that definitely borders on Black Comedy but still tinkers in the realm of being light hearted. It has a very kind of Outnumbered feel to it in which the kids play their innocence, yet brilliantly..
'Radiograph of a Family'
Iranian director Firouzeh Khosrovani triumphed at IDFA 2020 with her fourth film Radiograph of a Family, winning the main award in the IDFA Competition for Feature Length Documentary and the IDFA Competition for Creative Use of..
'Falling' :: Viggo Mortensen's Directorial Debut
A beautifully controlled drama about age, memory and forgiveness. Often abrasive, occasionally sweet, and sometimes grasping for transcendence, "Falling" doesn't feel like..
'Careless Crime' (2020) :: Movie Review
Iranian director Shahram Mokri, known for his single-shot films and his decided penchant for time-loops, achieves formalistic excellence in his latest effort..
Secrets of the Surface (2020)
Filmed in Canada, Iran, and the United States, 'Secrets of the Surface' examines the life and mathematical work of Maryam Mirzakhani, an Iranian immigrant to the United States who became a superstar in her field..
'Another Round' :: Review
Thomas Vinterberg reteams with "The Hunt" star for a darkly comic referendum on booze. Four friends, all high school teachers, test a theory that they will improve their lives by maintaining a constant level of alcohol in..
'There Is No Evil' :: Premiered at the 2020 Berlin Film Fest
Iranian filmmaker Mohammad Rasoulof's 'There Is No Evil' has triumphed at the 70th Berlinale, picking up the Golden Bear. The director himself was not present..
'Tesla' :: Sundance Review
A fascinating, if unconventional, look at the singular life of Nikola Tesla as played by Ethan Hawke. Appropriately bold and ambitious, Tesla takes a number of risks that don't always pay off -- but Ethan Hawke's performance..
Documenting the Struggle for Women's Rights in Iran
One of the women featured in this short documentary, Nasrin Sotoudeh is now serving a decades-long sentence in Evin Prison in Iran. Released alongside Jeff Kaufman's..
'Bacurau' :: A John Carpenter-Inspired Revenge Fantasy
A settlement in rural Brazil, a doctor (played by a gaunt and fierce Sônia Braga), a school, a (disused) church, even a brothel, but no sheriff. Something strange is happening..
TALE OF THE SEA :: Film Review
One of Iran's major filmmakers is at the top of his game with this Ingmar Bergman-esque meditation on old age. One man's madness as a metaphor for the surreal lives of a whole nation..
'Ordinary Love' :: There is nothing Ordinary about Love
"Ordinary Love" is not a movie solely about cancer. It is a raw, on-screen adaptation of what hundreds of couples experience when their limits are tested - physically, mentally..
13th Annual Iranian Film Festival :: San Francisco
Call For Entries Open for the 13th Annual Iranian Film Festival – San Francisco, the first independent Iranian film festival outside of Iran..
'1982' :: Premiered at TIFF :: 2019
During the 1982 invasion of Lebanon at a private school on the outskirts of Beirut, 11-year-old Wissam tries to tell a classmate about his crush on her..
Careless Crime (2020) Careless Crime (2020)
Enigmatic CARELESS CRIME Pushes Boundaries of Form and Structure

Martin Kudlac, Slovakia, Screen Anarchy
September 21, 12:32 pm

On a very ordinary day, four ordinary people decide to set fire to a cinema packed with people.

Time doesn't just shift in Shahram Mokri's Iranian drama about a fire at a cinema that killed 478, it also folds like origami and pirouettes, the past and present so close as they dance they can feel each other's breath. -- Amber Wilkinson (Eye for Film)

It's not too often a movie trusts its audience this much, and the result is one of the most meta movies this side of Mohsen Makhmalbaf's A Moment of Innocence. -- Matt Cipolla (The Film Stage)

Iranian director Shahram Mokri, known for his single-shot films and his decided penchant for time-loops, achieves formalistic excellence in his latest effort.



The 77th edition of the Venice Film Festival has unfolded with more than one comeback.

After the Greek New Wave made a splash again in the Orrizonti section with Apples, Iranian filmmaker Shahram Mokri returned on the turf of his past triumphs. Mokri's feature-length debut, 2009´s Ashkan, The Charmed Ring And Other Stories, netted the Orrizonti Award for Innovative Content, while his sophomore single-shot wonder, Fish & Cat, debuted in Venice in 2013.

Fish & Cat was largely inspired by the tradition of American slasher films, and the infatuation translated into his next feature, Invasion, unveiled in 2017 at Berlinale. The talented Iranian filmmaker prone to time-space experiments heavily influenced by genre cinema managed to wedge a procedural between a sports movie and a vampire drama with an apocalyptic air enveloping the single-shot spectacle of Invasion. The film remains hugely underrated and underappreciated, although that did not stop Mokri from advancing his space-time experiments in moving images.

Shahram Mokri returned to Lido to premiere his latest oeuvre, Careless Crime. As he earned a reputation for formalistic boundary-pushing, it was no surprise that the Orrizonti section accommodated the film warmly.



The opening titles inform the audience about a 1978 incident when anti-Shah protesters set Cinema Rex, located in the Iranian city of Abadan, on fire. The violent act had been a gesture of revolt against Western influence in the Middle East.

Negligence of the theatre staff led to four hundred theater-goers burning alive in the cinema. Careless Crime then jumps to 2020 following four individuals are plotting to set a cinema on fire in a disturbingly casual manner and without an apparent motive. Mokri insists this is not a re-enactment of the gruesome crime. The past and present, fact and fiction may start to devour each other in a cinematic mirror maze.

Mokri´s auteur works, prepared with his co-writing partner Nasim Ahmadpour, shape and bend time to create the illusion of space. The technique grew to become one of the Mokri´s primary storytelling devices and an emblem of his signature style. Careless Crime diverts from the previous two features, disrupting what would be the single-shot triptych.

While the Iranian filmmaker honed the art of one-shot film, he ventures to explore other means of multi-dimensional storytelling in Careless Crime. Long shots and hypnotically fixated camera remain in the inventory but Mokri leaves hermeneutically sealed horizontal space to explore and merge vertical and meta-textual layers.

Careless Crime unlike its predecessors does not seamlessly glue the space into a monolithic structure imprisoning viewers. Instead, he manages to travel across vertical layers utilizing meta-textual tools such as screens, big and small, as portals that actually bind individual layers co-existing in parallel spaces. Careless Crime appears to be a structural conundrum until its decentralized narrative template emerges.

Cinema is appointed the epicenter of Careless Crime. Not solely as a building anchored in space but as an abstract concept, Mokri operates on both levels of expression - figurative and literal. Concentric narrative pattern enveloped to the axis mundi and the cinema becomes a point from which the narration unravels and retracts back into.

Careless Crime is Mokri´s most daring work to date, politically and aesthetically, as the director´s His previous films dealt with the political matter more delicately and cryptically. Mokri explained in an interview for VeneziaNews that he approaches the history, this time, as a continuum which serves as a mean to reflecting present through past:

"History in Iran has a high dividing wall, and that is the revolution. Everything that happens is divided into before and after this historical border.

Careless Crime is about one of the most important events that led to the construction of this dividing wall. Many say that the broader fire that ignited the revolution in Iran began with the Rex Cinema fire. It was vital for me to show, still forty years after the victory of the revolution, it is conceivable that history has not moved forward, but is twisted like a circle. We see the characters of the historical story of forty years ago in Tehran today."

Mokri remains faithful to his reputation and delivers yet another engrossing and tantalizing formalistic spectacle. The fascination with M. C. Escher´s space-warping optical illusions translates into Careless Crime´s warping of the time and space through film-within-a-film and screen-in-a-screen devices bridging the different realms of the film´s multiverse.

The director´s unique style resulting from the amalgamation of American genre cinema and European arthouse sets Mokri´s works aside from his contemporaries. Elements of horror cinema vanished under the codes of mystery thrillers, ascetic surrealism infuses an air of Persian magical realism in the contemporary Iran social drama, all the idiosyncratic aspects organically weaved into the trans-genre quilt.

The tacit strangeness partly stemming from Mokri´s beloved time-loops and startling scenes in the vein of hallucinogenic imagery contribute to the irreal atmosphere. One of the perpetrators to be suffering from pyromania and what appears a fever dream, he himself squinting eyes in disbelief, a reaction that viewers will have to get used to throughout the 139-minute running time.

In a pure stroke of genius, not just ordinary cinema is the center of the story, it is a cinema doubling as a museum. The past and present that collide, realign, and assimilate eventually within the imagery of Mokri´s latest films approached an entity resembling a domestic collective subconsciousness.

Careless Crime is indeed a triumph in Shahram Mokri´s filmography. Richly-layered, mind-bendingly structured, Careless Crime transcends the plentiful genres it manages to sophisticatedly assimilate. The formalistic superiority of Mokri´s latest oeuvre does not spring solely the aesthetically tantalizing enigma the film manages to flourish into.

Undoubtedly, a formalistic spectacle of a folding multiple of dimensions into a single film engages the audience in an experience. Mokri wielding a sorcerer´s stone of moving images does not transform time into a continuum, he manages to blend literal and figurative visual language within a single oeuvre.

Furthermore, the film is a testament to cinema´s visual potency because it is impossible to reconstruct the multi-faced narrative, the elaborate structure, and the vertical integration of meta-textual and inter-textual layers solely in words to achieve the stunning effect and formalistic briliance.

The film enjoyed its world premiere at the 2020 La Biennale de Venezia.


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