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Tommaso :: Movie Review
The traits that define Ferrara's best work are present and precise here. One of the director’s latest work built on quiet moments of spiritual and professional reflection, a Fellini-esque inward gaze at the artist and his art..
‘The Last Days of ...’ :: Movie Review
A character study of two people — a rich “artist” and a prostitute — who spend a weekend together in his posh hotel suite overlooking the Vegas Strip. Even those uninclined to work out all of the script's hidden meanings will find reasons to enjoy this trim indie drama..
Speak No Evil :: Ready for Sundance
After working on his 2017 feature A Horrible Woman, Christian Tafdrup is ready to world-premiere his new effort, a psychological horror entitled Speak No Evil, in the Midnight Series strand of the Sundance Film Festival (20-30 January 2022)..
‘Don’t Look Up’ :: Movie Review
Adam McKay’s cosmic end-times satire “Don’t Look Up” quickly became the most-viewed original movie on Netflix over the holiday weekend. He says the ending of the Netflix hit came together in real-time thanks to Meryl Streep's improv skills..
The Unforgivable :: A Miserable Life
If you are looking for Christmas movies, The Unforgivable will not be on your list. However, if you are a Sandra Bullock fan, this grim drama is a must-see offering. Sandra Bullock turns in a splendid performance as Ruth Slater..
‘The United States vs Billie Holiday’ :: Movie Review
“She Won’t Stop Singing the Song.” In the 1940s the FBI targets Billie Holiday, claiming her song ‘Strange Fruit’, about a lynching, to be un-American and therefore she is also being un-American..
Flee, Quo Vadis, Aida?, Great Freedom triumph at the 34th European Film Awards. Jasmila Zbanic's film wins three statuettes including European Film, while Flee and The Father receive two each. The Ceremony was presented by German actress, Annabelle Mandeng..
‘Lingui, the Sacred Bonds’ :: Review
Lingui can only exist in the face of great hardship, and Haroun's surprisingly cathartic film honors the tradition by celebrating the fact that it still does. The film was nominated for the Palme d'Or at Cannes this year..
Blue Bayou :: Movie review
The center of this story is the family unit of Kathy, Jessie, and Antonio, anguished at the breakup of their happy home, overwhelmed and intimidated by the looming bureaucracy of the United States government. who doesn't care that Antonio has a baby on the way, that Antonio..
‘The Gravedigger’s Wife’ :: Somalia’s first-ever Oscar submission 2022
Charming and wistful without ever feeling maudlin, The Gravedigger's Wife is a beautiful love letter to the power of love and family. It is a striking first from a filmmaker and cast..
Slavoj Zizek’s modern adaptation of Antigone brings the ancient tragedy up to date, with politicians and decision-makers in all roles. Antigone is used to explain democracy, the women's movement and moral philosophy - by both opponents and supporters of totalitarian..
Timbuktu :: The Nightmarish Perversion of "Justice"
Timbuktu movingly attests to the human will to resist the terrors and injustices of absolutism. It encapsulates the essential truth of violent extremism: to destroy grace and beauty..
‘HYENAS’ :: Another newly restored Masterpiece!
The Senegalese director Djibril Diop Mambéty's allegory about the destructive effect of global financial powers on society's morality has been newly restored...
When a City Rises :: Sydney Film Festival
One of the most complete accounts of the Hong Kong pro-democracy protests to date. It’s also, at times, an unbearably tense picture which unfolds with urgency of a thriller..
‘In Between Dying’ :: Hilal Baydarov’s seventh film in the last three years
The enigmatic and strangely arresting tale of a man who can't escape death. In Between Dying is a rather curious cinematic experience, but it’s one that is striking and unique in its..
VENICE 2021 :: Ennio: The Maestro
Ennio is Giuseppe Tornatore’s well-rounded portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of..
Cinema Regained :: The new restoration of Chess of the Wind
A long-lost, legendary classic of Iranian New Wave cinema, The Chess Game of the Wind, was probably the most internationally celebrated revelation/restoration of 2020..
It's Showtime :: The 14th Annual Iranian Film Festival - San Francisco
Due to the current pandemic situation, the Iranian Film Festival will be VIRTUAL this year, presenting a record-breaking 60 films at its 14th annual event, September 18-19, 2021..
HAUGESUND 2021 :: Charlotte Sieling :: Director of Margrete – Queen of the North :: Interview
The Danish director discusses her film about the monarch that ruled Scandinavia. Ten years in the making and going six centuries back,..
VENICE 2021 :: Awards
Venice’s Golden Lion goes to Happening by Audrey Diwan. Other big European winners of the evening include Paolo Sorrentino, awarded the Jury’s Grand Prize for The Hand of God, and Penélope Cruz who..
Avicii: True Stories :: So wake me up when it's all over
An Icarus style portrait of a sensitive young man who was thrust too readily into the hedonistic world of the international music scene..
Movie Review :: The Macaluso Sisters
There's undeniable beauty and truth to The Macaluso Sisters that cannot be overlooked. Genuinely moving, captivating and, most importantly, grounded in pure, unadulterated humanism..
Samereh Rezaie :: Actress and director
Afghan actress- director Samereh Rezaie talks about how important it is for the international community to continue supporting women and human rights in Afghanistan..
VENICE 2021 :: Orizzonti :: Promises :: Isabelle Huppert
Promises opened the Orizzonti line-up of the 78th Venice Film Festival - follows the current French film trend of broaching topics associated with public governance where..
Margrethe II, Queen of Denmark, hired to design set on new Netflix film
Queen of Denmark is to design the sets for a forthcoming Netflix film adapted from a novel by Karen Blixen, it has been announced..
‘Stillwater’ :: A tale of hard-earned second chances
Stillwater isn't perfect, but its thoughtful approach to intelligent themes -- and strong performances from its leads -- give this timely drama a steadily building power..
Persian Lessons :: Movie Review
Director Vadim Perelman creates a skilfully unfussy period style, avoiding genre cliches to focus on characters who are finely brought to life by an excellent cast..
‘Born a Champion’ :: A love letter to jiu-jitsu
Real-life Brazilian jiu-jitsu black belt Sean Patrick Flanery (The Boondock Saints) stars as an aging fighter pulled into an underground Dubai tournament..
August 20-28
Karlovy Vary 2021

Michael Caine to receive Crystal Globe at 2021 Karlovy Vary film festival. He will join Johnny Depp and Ethan Hawke at this year’s film festival in Karlovy Vary..
VENICE 2021 Competition
'Parallel Mothers' to open the 78th Venice Film Festival
The Spanish director, Pedro Almodóvar, who claims "It was in Venice, in 1983, that I was reborn as a director" will present his film..
Cannes 2021 :: ‘Titane’ Wins Palme d’Or
Julia Ducournau becomes only the second female director to claim Cannes' top prize. The grand jury prize was awarded to A hero, of Iranian Asghar Farhadi, and for Hyutti No. 6..
‘Gringo: The Dangerous Life of John McAfee’
Filmmaker Nanette Burstein tries to unravel the strange behavior of John McAfee, who left his life as a software mogul to become a recluse in the jungles of Belize..
Berlinale 2021 :: Souad :: Movie Review
'Souad' is remarkable not just for its razor- sharp, nonjudgmental insight, but also for the nuanced performances making each character rounded yet ultimately unknowable..
Berlinale 2021
Summer Special highlights

Cinema is back in Berlin! The Berlinale Summer Special opened on June 9 with a red carpet gala. Here are a few snapshots of the event. During the Summer Special from June 9-20..
CANNES 2021 :: ‘Year of the Everlasting Storm’
A sweeping and melancholic first trailer has arrived for Neon’s Secret Cannes Project, “The Year of the Everlasting Storm.” With films by Jafar Panahi, Anthony Chen, Malik Vitthal, ..
A New Book Reveals
Why Frank Sinatra believed Marilyn Monroe was murdered

"I tried to paint the portrait of a man very few people got to know as well as I did, I think he knew someday I'd share the stories he..
BERLINALE 2021 :: Awards :: 13 June :: 2 More Winners
The Berlinale adds two more winners to its list with Alice Diop’s We and Dasha Nekrasova’s The Scary of Sixty-First. The films scored the Awards for the Best Berlinale Documentary..
Netflix Declined Cannes Invite

Netflix Declined Invites to Premiere the Palme d'Or winner Jane Campion’s ‘The Power of the Dog’ and Andrew Dominik’s ‘Blonde’. Cannes general delegate Thierry Frémaux revealed..
CANNES 2021 :: 6 - 17 July
The Cannes behemoth is back

16 filmmakers who have already taken part in the competition are battling it out with eight new entrants; 14 Europeans will be vying for Cannes’ coveted top prize..
14th Annual Iranian Film Festival :: San Francisco
Call For Film Submissions Open For the 14th Annual Iranian Film Festival – San Francisco, the first independent Iranian film festival outside of Iran. To submit your film, please..
‘The Long Excuse’ :: Review
Writer-director Miwa Nishikawa’s somber reflection on the strains of marriage and parenthood is punctuated with beautiful existential undertones. Centered on liars and swindlers — self-deception is the theme of..
Putin: A Russian Spy Story :: TV Series (2020)
An exploration of how Vladimir Putin deployed his knowledge of spy-craft as a politician, and how modern Russia evolved through an acute sense of betrayal, pride and anger..
‘Driveways’ :: Review
Won’t You Be My Neighbor?

The modest story of a mother, her son and an elderly neighbor feels like a salve right now—and gives Brian Dennehy a deserving swan song. Understated yet powerful..
Spreading Propaganda Through Films and TV
Intelligence agencies in Iran are increasingly using state-funded entertainment productions to spread state propaganda and improve their image among the public..
'Jin-Roh: The Wolf Brigade' :: Clever and Chilling Anime
In an authoritarian Japan, Fuse, part of an anti-terrorist police brigade, faces an internal enquiry. On a recent operation he hesitated to kill a female terrorist because of her youth..
Golden Globe Winners 2021 ::
'Nomadland' director Chloé Zhao won Best Director, making history as the first woman of Asian descent to take home that award, while the film itself won Best Motion – Picture Drama; Soul, Borat, The Queen's Gambit..
'How Fernando Pessoa Saved Portugal' :: Eugène Green
For years Portugal was the only country in Europe where there was no Coca-Cola. The director discusses his new "mini-film," devoted to the great Portuguese poet, advertising..
Copenhagen 2021 :: Vinterberg's 'Druk' snatches Five Robert Statuettes
In the category, Vinterberg was, among other things, up against himself, as he was also nominated for his role in the film “Riders..
Zindagi Tamasha :: Circus of Life :: 2020
‘It went from love to wanting to kill me.’ Sarmad Khoosat was the darling of Pakistan’s entertainment industry until his new film fell foul of fundamentalists – who called for him..
'No Choice' :: Tokyo 2020
It’s a slippery path up the mountain of human rights. Three good women clash when a determined lawyer takes on the case of a homeless girl against an idealistic doctor in Reza Dormishian’s legal thriller..
'Wife of a Spy' :: An intriguing marital battle
Winner of the best director award at the Venice Film Festival. An absorbing, exotic, well-paced thriller with moments of disconcerting realism and horror. Kiyoshi Kurosawa’s..
"Actress's Ears" Put Film Screening in Jeopardy
Panthea Bahram, a famous Iranian actress, whose presence last year with shaved head at the press conference to a movie made news; reacted to the removal of "Killer and..
'Hope Gap' :: A Bracingly Original Drama
There's an unusual calmness to this drama that feels bracingly original. William Nicholson's Hope Gap benefits from a starry cast in the stagey story. Nighy and Bening are as good..
'Killer and Wild' removed from the Fajr Film Festival
A movie with Iranian actress Leila Hatami in the leading role was excluded from a major Film Festival event in Iran due to her 'shaved head and exposed ears' ..
Maria is a Greek policewoman, struggling with her money problems, teenage daughter, old mother.. Yussof is a Syrian rebel, on his way out of a war-ridden Syria. Both have killed unwantedly, both feel guilty, but together..
51st Edition Of IFFI 2021
The 51st edition of India’s International Film Festival (IFFI) kick started on 16th January at Goa, which opened with the Indian premier of the movie ‘Another Round’ by Thomas Vinterberg..
'Alone' :: Movie Review
"Alone" is admirably straightforward, exploring tried- and-true archetypes with suspenseful execution. Director John Hyams demonstrates a minimalistic knack for showing and not telling,..
'The Female Voice of Iran' :: Feature documentary 2020
Independent documentary about female singers inside Iran and their deep wish: "I want my voice to be heard." Captivating...beautiful music and stunning..
'The Father' :: Movie Review
Sundance: Florian Zeller's film makes an inexplicably cruel element of the human condition recognizable in a way that only good art can. Anthony Hopkins and Olivia Colman Inside the Brutal Matrix of Dementia..
‘Money Heist’ :: As smart as it is relentless
Like a criminal who has trapped themselves within a situation in which there’s no simple escape, Money Heist is a riveting, inescapable show with a narrative jackpot at the end of it..
'Vivos' :: Ai Weiwei's Mournful Ode to the Disappeared
Vivos is a documentary feature film by artist and filmmaker Ai Weiwei, portraying the human impact of Mexico’s ongoing crisis of enforced disappearances..
Family Romance, LLC (2020)
Love is a business at Family Romance, a company that rents human stand-ins for any occasion. Founder Yuichi Ishii helps make his clients’ dreams come true. But when the mother of 12-year-old Mahiro hires Ishii to..
'Let Him Go' (2020)
Kevin Costner excels in a gripping neo-western thriller. Let Him Go is a moving and gripping Western with particularly strong performances from Diane Lane as a grieving yet resolute mother and from Lesley Manville as her..
In Memoriam of Korean filmmaker Kim Ki-duk
In the small pool of filmmakers known for being provocative, Kim Ki-duk was the oddest of ducks. South Korean filmmaker Kim Ki-duk has died in Latvia aged 59 after contracting..
'The Life Ahead' (2020)
Loren has made it again! She's an absolute Goddess. The characters are colorful and empathetic, and even if the plot is simple, the cast keeps it up. Specially, Sophia Loren.. Sempre adorabile!
'What We Did on Our Holiday'
An exceedingly funny comedy that definitely borders on Black Comedy but still tinkers in the realm of being light hearted. It has a very kind of Outnumbered feel to it in which the kids play their innocence, yet brilliantly..
'Radiograph of a Family'
Iranian director Firouzeh Khosrovani triumphed at IDFA 2020 with her fourth film Radiograph of a Family, winning the main award in the IDFA Competition for Feature Length Documentary and the IDFA Competition for Creative Use of..
'Falling' :: Viggo Mortensen's Directorial Debut
A beautifully controlled drama about age, memory and forgiveness. Often abrasive, occasionally sweet, and sometimes grasping for transcendence, "Falling" doesn't feel like..
'Careless Crime' (2020) :: Movie Review
Iranian director Shahram Mokri, known for his single-shot films and his decided penchant for time-loops, achieves formalistic excellence in his latest effort..
Secrets of the Surface (2020)
Filmed in Canada, Iran, and the United States, 'Secrets of the Surface' examines the life and mathematical work of Maryam Mirzakhani, an Iranian immigrant to the United States who became a superstar in her field..
'Another Round' :: Review
Thomas Vinterberg reteams with "The Hunt" star for a darkly comic referendum on booze. Four friends, all high school teachers, test a theory that they will improve their lives by maintaining a constant level of alcohol in..
'There Is No Evil' :: Premiered at the 2020 Berlin Film Fest
Iranian filmmaker Mohammad Rasoulof's 'There Is No Evil' has triumphed at the 70th Berlinale, picking up the Golden Bear. The director himself was not present..
'Tesla' :: Sundance Review
A fascinating, if unconventional, look at the singular life of Nikola Tesla as played by Ethan Hawke. Appropriately bold and ambitious, Tesla takes a number of risks that don't always pay off -- but Ethan Hawke's performance..
Documenting the Struggle for Women's Rights in Iran
One of the women featured in this short documentary, Nasrin Sotoudeh is now serving a decades-long sentence in Evin Prison in Iran. Released alongside Jeff Kaufman's..
'Bacurau' :: A John Carpenter-Inspired Revenge Fantasy
A settlement in rural Brazil, a doctor (played by a gaunt and fierce Sônia Braga), a school, a (disused) church, even a brothel, but no sheriff. Something strange is happening..
TALE OF THE SEA :: Film Review
One of Iran's major filmmakers is at the top of his game with this Ingmar Bergman-esque meditation on old age. One man's madness as a metaphor for the surreal lives of a whole nation..
'Ordinary Love' :: There is nothing Ordinary about Love
"Ordinary Love" is not a movie solely about cancer. It is a raw, on-screen adaptation of what hundreds of couples experience when their limits are tested - physically, mentally..
13th Annual Iranian Film Festival :: San Francisco
Call For Entries Open for the 13th Annual Iranian Film Festival – San Francisco, the first independent Iranian film festival outside of Iran..
'1982' :: Premiered at TIFF :: 2019
During the 1982 invasion of Lebanon at a private school on the outskirts of Beirut, 11-year-old Wissam tries to tell a classmate about his crush on her..
Sepanta, Abdolhossein

Sepanta, Abdolhossein

Date of birth
     4 June 1907, Tehran, Persia
Date of death
     28 March 1969, Esfahan, Iran

Mini biography

Abdolhossein Sepanta (4 June 1907 - 28 March 1969)

Abdolhossein Sepanta (June 4, 1907 – March 28, 1969) was a noted Iranian film director and producer. He was born in Tehran, Iran, and died of a heart attack in Esfahan, Iran.

Abdolhossein Sepanta was born in the Vagonkhaneh Avenue area in Tehran in 1907. His father, Gholam Reza Khan was the translator of Mozzafar-al-Din Shah, a King of the Qajar dynasty.

Abdolhossein began his studies at the Saint Louis and Zoroastrian Colleges in Tehran circa 1925. He found a keen interest in ancient Persian history and literature.

Therefore in 1927, he chose Sepanta as his surname. In 1927, he traveled to India via Bushehr. There, he became acquainted with Dinshah Irani as his Indian Translator, who was the director of the Persian Zoroastrian Society. After extensive studies in ancient culture, he returned to Iran for a short period.

Sepanta soon returned to India again with plans for a lengthier stay. He continued to study ancient Iranian culture and literature. Encouraged by his teachers and professors, Sepanta started his activity in cinema.

Lor Girl

As Sepanta took more interest in film, he found that there was a possibility one of his productions could make it to theaters in Iran through some competitive tactics. The leading Iranian films producer at the time was Oganes Oganians, a Russian Armenian immigrant who pioneered the industry in Iran. His silent films were a hit in Iran and were modeled after a series of Danish comedies aired in the previous years.

Looking at the advanced technology available in British India, Sepanta realized that he could bring to Iranian cinema the first talkie film.

In 1931, with an acquaintance Ardeshir Irani, a parsi from the local community, Sepanta began production of the Lor Girl at the Imperial Film Co. in Bombay. The movie was the first film with people talking in it as well as one of the first productions in a Muslim country to cast a female. The movie was screened in October 1933 in Tehran at two major movie theaters, Mayak Cinema and Sepah Cinema, and was surprisingly a major hit. Contrary to the expectations of cinema managers, who relied on foreign films, The Lor Girl was an instantaneous success and set up a new record of sale and running period which was not beaten for several years.

Sepanta wrote the entire script and played the leading male role as well. The story is about Golnar, a village teahouse maid that falls in love with Jafar, a government agent. The two fall in love and escape to India until political tensions in troubled Iran die down. The movie is said to be a subtle political commentary on the lack of general public security during a period when the Pahlavi dynasty is replacing the Qajar dynasty in Iran.

The leader of early Iranian cinema

In the 1930s, there were nine talkie films produced from 1931-1937. Of these nine, five are Sepanta's films. He's considered by many to be the Leader of that era, when films were mainly political documentaries and films for entertainment were disliked by the ruling dynasty.

He was director, screenwriter, and many times, the lead role of his films. These were The Lor Girl (1931), Ferdowsi, Shirin-o-Farhaad, Black Eyes, and Leyli o Majnun (1936 film), which were produced in India.

Sepanta was a man of letters and a prominent scholar in pre-Islamic Persian literature, therefore his films were extremely national and historical, a trend which prevailed in other artistic and literary circles at the time and was the outcome of the suppressed but restless social and cultural situation in the society.

Concerning his motives in making A Lor Girl, Sepanta explains later:

“As it was the first Iranian sound film to be presented abroad I felt it should present a bright picture of Iran... I have to admit that the film was a great boost for the nationalistic pride of expatriate Iranians.”

It is to be noted, until 1933 and The Lor girl Iran’s cinema was not so popular and the few cinemas in Tehran and other major cities just served the aristocracy and some particular classes of the society. Moreover, Iranian filmmakers had no clear line of thought. With the exception of Sepanta, who used the elements of Iran’s ancient literature in his works, other filmmakers would mostly imitate foreign movies.

Sepanta's superior films raised the expectations of Iranian movie audiences. In 1934, he made his second film Ferdowsi at the millenary celebrations of the great Persian epic poet Ferdowsi.

Sepanta’s third film Shirin-o-Farhaad was based on a romantic story from Nezami dramatic poetry. The film was shot in India in four months and was screened towards the end of 1934. Sepanta directed his fourth film, The Black Eyes, and screened it in Tehran for four weeks. In 1936, Sepanta made his final commercial film, Laili-o-Majnoon.

Between 1930 and 1936 the Iranian film industry was shut down and it was Sepanta alone who continued his activities and produced his films and kept the market live and busy.

After Laili-o-Majnoon, Sepanta prepared for shooting another script with the working title of The Black Owl. However, the project never materialized, nor did another screenplay he had written on the life of Persian mathematician, astronomer and poet Omar Khayyám.

Conservatism and the Calcutta Iranians

Sepanta’s early films were filmed in Bombay with Parsis as organizers and cast of different backgrounds. For some reason, in 1935, Sepanta packed his things and left Bombay for Calcutta to seek out opportunities in the Bengali cinema. There, he met people from the Muslim Iranian expatriate community mainly from Khurasan. He soon met with Abed Basravi, a man from a moderately religious family that owned the Basravi Masjid in the city. The family had a history of artists, who took a keen interest in a film project. Within months, the shooting of the film began, with Basravi and his two sons, Sepanta, and numerous others from the Calcutta Iranian community as cast members.

This final film, Laili-o-Majnoon, was based on a full-scale dramatic poem by Nezami similar to that of Romeo and Juliet. The Basravi family made many peripherals that added to the script such as detailed information regarding exterior and interior scenes, dialogues, and actors’ movements, settings, costumes, lighting, sound effects and camera movements. They also contributed in making explanatory notes on editing and film processing made that are offered and scene descriptions by carefully worked-out drawings. Though the other 4 scripts are available, none of them show such detailed workmanship. Due to the changing political climate in Iran, Laili-o-Majnoon never saw any comparable market success.

Return to Iran

In 1935, he left Calcutta (Kolkata) for home, hoping that he could enlist government assistance to establish a film production studio in Iran. However, he failed to gain enough support for his projects from the new government.

Dr.Sassan Sepanta quoted his father in an interview:

“In September 1936, he arrived in Bushehr (a port beside of Persian Gulf) with a print of Laili-o-Majnoon. Due to bureaucratic complications, the film print could not be immediately released to screen, and he had to leave for Tehran without it. Government officials’ attitude was inexplicably hostile from the beginning and he almost was sorry that he returned home. The authorities did not value cinema as an art form or even as a means of mass communication, and he soon realized that he had to forget about his dream of establishing a film studio in Iran. He even had difficulty getting permission to screen his film, and in the end the movie theater owners forced him to turn over the film to them almost for nothing.”

Sepanta who had been disappointed, sold his Laili-o-Majnoon at a very cheap price to cinema owners in Tehran, he was about to return to India for the last time to shoot The Black Owl and Omar Khayyám, when he was retained in Esfahan by his mother's illness. He never to India again.

Sepanta after filmmaking

Between 1934 to 1954, not a single film was produced in Iran and when filmmaking activity was resumed, Sepanta was living in seclusion in Esfahan.

In 1943 he started publishing his weekly magazine(Sepanta Newspaper). He had difficulty to continuing publishing his magazine because of his ideology and political thought, which holds liberty as the primary political value and seeking a society characterized by freedom of thought on the authority of government. Therefore he has been forced to close his magazine in 1954. From 1955 he was the Iranian consultant of the United States Aid Program in Esfahan.

Finally after 30 years Sepanta took up filmmaking again but not as a professional. He bought an 8 mm Canon camera and made a number of short documentary films between 1967 and 1969. The Autumn, one of his 8 mm films, was presented 2 years after his death at the 26th session of the Free Cinema Workshop in 1971 in Iran.

Throughout his life he wrote and translated eighteen books including:

  • Ethical philosophy of the Ancient Iran,
  • Who was Zoroaster and what He did,
  • The elementary Mazdyasna, Rays of Philosophy in Ancient Iran,
  • Selected Poems from Dehqan Samani and Mirza Abolvahab Golshan Iranpour,
  • The collected poems of Sepanta, and The poems of the Pahlavi Period.

Abdolhussein Sepanta has played a fundamental role in the formation and growth of the Iranian movies, who has been known as the father of Iranian sound films in Iran.

Sepanta died in Esfahan of a heart attack on 28 March 1969.



Director - Selected filmography

  1. Leyli o Majnun (1936)

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