“An Arabian dream that weaves timeless story threads with mystical and Sufi elements into a beautiful film object. . . as fascinating as reading a new chapter of 1,001 Nights.” - - Deborah Young, Variety
Synopsis
A visual poem of incomparable beauty, this masterpiece from director Nacer Khemir (Wanderers of the Desert) begins with the story of a blind dervish named Bab’Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years.
Bab'Aziz - The Prince Who Contemplated His Soul
Cast:
Parviz Shahinkhou - Bab’Aziz
Maryam Hamid - Ishtar
Nessim Kahloul - Zaid
Mohamed Grayaa - Osman
Maryam Mohaid
Hossein Panahi
Golshifteh Farahani - Nour
Reviews:
“A structurally audacious fairy tale that imparts moral lessons and shows how narratives reflect and shape life… cinematographer Mahmoud Kalari frames the dunes, rock formations and sandblasted village and cities with a poet’s eye, turning real spaces into dreamscapes.”
–Matt Zoller Seitz, New York Times
“The breathtaking desert landscapes that dominate Nacer Khemir’s beautiful, elliptical Middle East drama deserve the big screen… you’ll remember the dreamlike state the film induces long after the credits roll.”
–New York Magazine
“cinematographer Mahmoud Kalari infuses the screen with sumptuous yet unemphatic colors, filtered through sun and wind and sand. There’s nothing forced about Bab’Aziz; its ideas resonate quietly, building to a breathtaking climax.”
–Sheri Linden, LA Times
“Tunisian filmmaker Nacer Khemir spins an exquisite, mystical tone poem of a film… the arrival of Bab’Aziz - The Prince Who Contemplated His Soul is, to misuse a dervish cliché, something worth singing and dancing about.”
–Phil Hall, Film Threat
“An Arabian dream that weaves timeless story threads with mystical and Sufi elements into a beautiful film object…..as fascinating as reading a new chapter of 1,001 Nights.”
–Deborah Young, Variety
“Watching it is like entering another realm in both form and content, which is what makes the film so intriguing, especially in this day and age of the so-called “clash of civilizations” between Islam and the West.”
–Ed Rampell, Los Angeles Journal
Produced by |
| Cyriac Auriol |
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producer |
| Karl Baumgartner |
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co-producer |
| Lauraine Heftler |
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assistant producer |
| András Muhi |
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co-producer |
| Ali Reza Shoja-Nuri |
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producer |
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Original Music by |
| Armand Amar |
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Cinematography by |
| Mahmoud Kalari |
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Film Editing by |
| Isabelle Rathery |
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Casting by |
| Leila Fournier |
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| Sarah Teper |
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Costume Design by |
| Maud Perl |
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Production Management |
| Asen Kanchev |
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music production manager |
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Second Unit Director or Assistant Director |
| Benjamin Blanc |
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assistant director |
| Iraj Habashi |
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second assistant director: Iran |
| Amin Mahdavi |
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first assistant director |
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Art Department |
| Majid Mir-fakhrai |
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artistic advisor |
| Issa Traverdian |
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props: Iran |
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Sound Department |
| Ahmad Ardalan |
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boom operator: Iran |
| Bahman Ardalan |
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sound (as Bahman Bani Ardalan) |
| Franck Desmoulins |
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sound editor |
| Séverin Favriau |
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sound editor |
| Amir-Hossein Ghasemi |
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sound editor |
| Steve Higgs |
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sound |
| Róbert Juhász |
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sound re-recording mixer |
| Anne Maisonhaute |
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foley recordist |
| Stuart Wilson |
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sound |
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Visual Effects by |
| Manfred Büttner |
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visual effects producer |
| Erich Eder |
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visual effects supervisor |
| Yves Göbel |
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digital effects artist |
| Daniel Lo Iacono |
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digital effects artist |
| Sandra Moll |
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visual effects producer |
| Heiko Schweizer |
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digital effects artist |
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Camera and Electrical Department |
| Shahrad Banki |
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still photographer |
| Mondher El Gaied |
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grip: Tunisia |
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Editorial Department |
| Nicolas Novak |
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post-production assistant |
| Béraud Valentine |
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post-production coordinator |
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Other crew |
| Fethi Baccouchi |
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location manager |
| Monica Donati |
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unit publicist |
| Margaret Dowling |
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accountant: Britain |
| Hosni Mihol |
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caterer: Tunisia |