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Couperet, Le - The Ax (2005)
Directed by:
Constantin Costa-Gavras
Date of birth:
12 February 1933, Loutra-Iraias, Greece
Writing credits:
Donald E. Westlake (novel) & Costa-Gavras
Music by:
Armand Amar
Country:
Belgium / France / Spain
Language:
French
Color:
Color
Runtime:
122 min.
Released:
2002
Genre:
Drama / comedy / adventure
With Le Couperet the Grand Old Man of the political thriller has based his story on something as topical as growing unemployment – but he delivers an intelligent Hitchcock-like film with room for both suspense and black humour.
When the otherwise kind family father Bruno is fired after 15 years in the paper industry, he has trouble finding a new job and sees no way out, other than getting rid of everyone who shares his qualifications.
But the road to a dream job is long – especially if you’re not that skilled as a murderer and also have to deal with marriage counselling and a rebellious teenage son. The audience is entirely on Bruno’s side, and the fast-paced script based on a novel by Donald Westlake keeps you on the edge of your seat until the very end. (Summary from International Copenhagen Film Festival 2005)
Featuring:
José Garcia .... Bruno Davert Karin Viard .... Marlène Davert Geordy Monfils .... Maxime Davert Christa Theret .... Betty Davert Ulrich Tukur .... Gerard Hutchinson Olivier Gourmet .... Raymond Mâchefer Yvon Back .... Etienne Barnet Thierry Hancisse .... Inspecteur Kesler Olga Grumberg .... Iris Thompson Yolande Moreau .... Préposée poste Dieudonné Kabongo .... Quinlan Longus Jean-Pierre Gos .... Le garagiste Vanessa Larré .... La prédatrice Serge Larivière .... Inspecteur de police Jeanne Savary .... La présentatrice TV
A laid-off worker devises a novel approach to finding a new job-by physically 'eliminating' other possible applicants-in this mercilessly entertaining comedy from director Costa-Gavras (Z, Missing).
Based on a pulp novel by American author Donald Westlake, The Ax puts outsourcing, downsizing, and other 21st Century business trends where they belong: on the chopping block. When we first meet the middle-aged Bruno, he appears to be a not-so-polished international assassin, but as he confesses his life's story we realize that murder is merely a stepping stone to a more ruthless dream: rejoining corporate life.
Having been made redundant from his job in the paper-making industry, Bruno was unemployed, bitter, and humiliated for over two years until he decided to adapt capitalism's market forces to the labor market; in other words, to eliminate all competition, by any means necessary.
When a prime job at a paper factory opens up, Bruno gathers the names of potential candidates, and starts 'downsizing.' Still a loving father and good husband, Bruno juggles dinner with his kids, couples counseling with his wife, and body disposals.
José Garcia gives Bruno a bumbling appeal in his single-minded approach to avoiding 'the ax,' while Olivier Gourmet is suitably steel-jawed as a rival businessman high on Bruno's 'redundancy' list. Like Battle Royale in a Wall Street setting, The Ax takes the logic of capitalism to its illogical extreme, and makes sure you will never hear a CEO talk of 'making a killing' the same way again.