Sohrab Shahid Saless
The Experience of Exile

A visionary and truly transnational artist, Shahid Saless remained a solitary figure throughout his life. Still his films have left an indelible mark..
EUROPEAN FILM AWARDS 2017
The Square sweeps the Awards
Ruben Östlund’s film The Square – and more specifically a comedy – has taken home most of the awards from the European Film Awards ceremony..
Sophie's Choice • Review
Streep is memorable as Sophie

So perfectly cast and well-imagined that it just takes over and happens to you. It's quite an experience. 'Sophie’s Choice' begins as a young Southerner's odyssey to..
'Vanaja' • Movie Review
A wondrous piece of filmmaking
A Sensitive, Engaging movie from a first-time filmmaker. Rajnesh Domalpalli made this poignant 2006 drama as his thesis film for a master's degree at Columbia University..
Invasion (2017)
How Thirsty are you?

'Invasion' is Shahram Mokri’s third feature after Fish & Cat. Both pics experiment “with nonlinear narrative, thriller elements and point of view,” as Variety critic wrote..
Half Moon | Niwemang
A road movie unlike any other
The Kurds may not yet have a country, but as long as Bahman Ghobadi keeps making movies they have a national cinema. Bahman Ghobadi's Half Moon is a beautiful and..
Emma Thompson demands
Nazanin Zaghari-Ratcliffe is brought home

Actress Emma Thompson has accused Boris Johnson of doing “sweet FA” for the British-Iranian woman imprisoned in Iran..
Kedi (2017) • Movie review
As soft and warm as a kitten
Kedi is a cat fancier's dream, but this thoughtful, beautifully filmed look at Istanbul's street feline population offers absorbing viewing for filmgoers of any purr-suasion..
'Young Torless' • Cruelty of Man Is Explored
A great psychological and philosophical treatise on how normal, well-to-do people, can turn themselves into "torturers and sacrificial lambs," as Torless himself states..
The Killing of a Sacred Deer
Movie Review
With uniformly great performances throughout the cast and Lanthimos’ stunning eye for detail and composition, this is one of the most unforgettable films..
Until the Birds Return (2017)
My characters are at a turning point in their personal lives, yet they are not and do not want to be actors for change. In the 1990s an unprecedented civil war left 200,000 dead in Algeria, and tens of thousands..
The Divine Order (2017)
A hilarious comedy that hides ill-concealed discomfort
Petra Volpe continues to talk to us about women, and does so by turning the spotlight on a somewhat inglorious episode
Iranian filmmaker Cannot attend stokholm film festival
The acclaimed Iranian director Mohammad Rasoulof has been denied exit from Iran and will not be able to attend the Stockholm International Film Festival..
WINDOW HORSES • A Canadian film about Iranian Poetry
A young Canadian poet with Chinese and Persian parents travels to Iran to perform at a poetry festival. Ann Marie Fleming’s..
A Look at “My Brother Khosro”
An intelligent movie dealing with a pain, a pain that without any pessimistic approach is part of a pain of a family, one of whose members has a mental problem..
ON THE BEACH 2017
'This is the way the world ends. Not with a bang but a whimper.' These lines from T.S. Eliot's poem The Hollow Men appear at the beginning of Nevil Shute's novel On the Beach, which left me close to tears..
Al Berto: A Biopic about the life of Portuguese poet
Liberty was there for the taking, but people had not been taught to be free and were not sure exactly what to do with it. Al Berto was ready for Sines, but Sines wasn’t..
Houman Seyyedi talks to CWB
I knew Houman Seyyedi as a very talented actor until I learned about him as a film director and then came the big suprise. After watching the four movies that..
Pouran Drakhshandeh talks about Under the Smoky Roof
Last Thursday, was the opening night of 'Under the Smoky Roof', a social drama directed by Pouran Derakhshandeh at the Fine Arts Theater, Los Angeles..
12 European films awarded At The Warsaw Film Fest
The Polish event’s Grand Prix went to the Chinese feature To Kill a Watermelon. Danish film The Charmer by Milad Alami won Competition 1-2 prize..
LOVING VINCENT (2016)
The final mysterious days in the life of Vincent van Gogh are the subject of investigation in this formally daring work, seven years in the making, that marries live action performance to..
Never Let Me Go
With Never Let Me Go, Mark Romanek has delivered a graceful adaptation that captures the spirit of the Ishiguro novel -- which will be precisely the problem for some viewers..
Interview • Milad Alami
SAN SEBASTIÁN 2017: Cineuropa chatted to Swedish-Iranian filmmaker Milad Alami, whose feature debut, The Charmer, is currently taking part in New Directors at San Sebastián..
Wild (2014)
Mini-Odyssey of a broken character
'I’m going to walk myself back to the woman my mother thought I was.' Powerfully moving and emotionally..
An Iranian film director
On the country's censorship

How does censorship work in Iran? The FRANCE 24 Observers team is publishing a two-part interview about censorship and Iranian cinema..
Mountain | Monte (2016)
Now, at 70 years old, Amir Naderi is a true international filmmaker. After "Mountain" (made in Italy) he is now ready to come home to US and start all over again. "It is just the beginning,"..
10th Annual Iranian Film Festival - San Francisco
Welcome to the 10th Annual Iranian Film Festival – San Francisco. This year, the festival presents 40 films from Iran, USA, Italy, France, Canada..
Shirin Neshat • Interview
VENICE 2017

Iranian artist Shirin Neshat remembers an iconic figure from Arab music on the big screen in Looking for Oum Kulthum, a film in competition in the Giornate degli Autori
VENICE 2017 • Interview
Emre Yeksan's The Gulf

“We live in a period of slow decay, and the smell won’t go away any time soon.” Emre Yeksan’s feature debut, The Gulf, has been premiered in the International..
Video Essay Explores
Orson Welles’ ‘F For Fake’

Most cineastes associate Orson Welles with films like “Touch of Evil” and “Citizen Kane.” But his 1974 oddity, is worth seeking out for those who wish to dig..
‘MOTHER! • VENICE 2017
7 Things to Know About

Darren Aronofsky's 'Mother' centers on a couple whose relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence...
Shirin Neshat • VENICE
'Looking for Oum Kulthum'

“story of an Iranian woman filmmaker, living in exile, who dares to make a film about an iconic Arab singer without being Arabic herself,” Neshat said in her first..
VENICE 2017 • Orizzonti
'Oblivion Verses'

Iranian filmmaker Alireza Khatami is presenting his debut feature Oblivion Verses in Orizzonti at Venice, where Cineuropa spoke to him about fantasy..
VENICE 2017 Competition
'Human Flow'

Artist Ai WeiWei is in the Venice competition with this documentary shot in 2015 and 2016, uncovering the growing crisis of displaced people across the..
Asghar Farhadi begins filming 'Everybody Knows'
The two-time Oscar winner is shooting this European co-production in Spain, with a Spanish-speaking cast headlined by Javier Bardem, Penélope Cruz..
The Song Of Scorpions
Anup Singh’s ambitious third feature stars Golshifteh Farahani and Irrfan Khan, following an independent woman as she struggles against hardship and treachery to remain true to her own instincts..
Tokyo Sonata :: Movie Review
An adventurous work both disturbing and ultimately moving. Kiyoshi Kurosawa's first domestic drama is music to general audience's ears..
The Homesman (2014)
A genuine art film
"The Homesman," despite the title, is about women. Women are the center of the action, women drive the action forward, women are not only damsels in..
MONSIEUR IBRAHIM :: Movie Review
Tender but never sappy, Monsieur Ibrahim brings two people of vastly different age and background together in ways that are touching, and telling..
The Innocents (2016)
'The Innocents’ is a profound meditation on a forgotten moment in history. Lou de Laage shines in Anne Fontaine's provocative historical drama. When Anne Fontaine’s “The Innocents” made its..
VENICE 2017 :: Venice Days
Samira Makhmalbaf named as jury president for Venice Days 2017. The Iranian actress and director will chair the jury made up of 28 young viewers from..
NETWORK (1976)
It's never been more timely
Criticised by some at the time for a certain naivety and lack of subtlety, this remains one of the most devastating condemnations of the media's urge to..
Woody Allen & his New Orleans Jazz Band at the Copenhagen Jazz Festival
The iconic filmmaker and clarinet player Woody Allen joins the international headliners at the Copenhagen Jazz Fest
Death And The Maiden
A thought-provoking piece
"Death and the Maiden" is said to be based on events in Chile, but it could take place in any of the many countries where rule is by force and intimidation..
'Insyriated'(2017)
Gripping from start to finish

This nerve-wracking study of life in Damascus won an Audience Award at Berlinale. Hiam Abbass holds together a household under siege in..
Ali & Nino (2016)
A fascinating story of two young people in love who found themselves between East and West cultures during World War I and Civil War when young democratic Azerbaijan Republic got squashed by..
Dangerous Beauty (1998)
Venezia's Hidden Treasure

Based on the true story of Veronica Franco, a well-born Venetian beauty who deliberately chose the life of a courtesan because it seemed a better choice than..
The Polygon People
The Documentary
A First look at the ‘most nuked place on Earth’ where Soviet Union detonated 456 bombs over the course of 40 years. A look at the way locals’ lives were..
‘When God Sleeps’ (2017)
winner of the Golden Heynal

The best music documentary film and hence the winner of the Golden Heynal award at the 57th Krakow Film Festival, by the decision of the Jury under the..
Cannes 2017 • Awards
And the winners are...
Ruben Östlund’s The Square wins the Palme d’Or. Pedro Almodóvar’s jury divided its prizes across a generally deserving spread of films..
Retrospective • Dustin Hoffman • The Graduate
Dustin Hoffman turns 80 later this year, the Irish Film Institute (IFI) takes the opportunity to celebrate the work of Dustin Hoffman, on the occasion of..
Mohammad Rasoulof's
Goodbye | Be omide didar
Another superb piece of work produced in Iran. Let's pause for a minute and reflect on just how difficult it is to get these movies made..
A Master's Final Frames
Cannes 2017

Movingly presented at the largest cinema in Cannes, the Iranian auteur Abbas kiarostami's final film may be the most experimental ever shown at the..
Iranian filmmaker wins major prize at Cannes
Iranian auteur Mohammad Rasoulof's bleak drama "A Man of Integrity" won the Un Certain Regard competition at the Cannes film festival on Saturday..
Kantemir Balagov's 'Closeness' at Cannes
A social realist debut from Kantemir Balagov is an intense film influenced by the Dardenne brothers. For the Un Certain Regard selection at Cannes..
Cannes’ FIPRESCI Prize goes to (Beats Per Minute)
The international critics have crowned Robin Campillo’s film BPM (Beats Per Minute); Closeness and The Nothing Factory also awarded..
The award winners of the Cinéfondation unveiled
Student films from Belgium, Iran and France, awarded at the Cinéfondation. The jury of the Cinéfondation, chaired by Cristian Mungiu, has handed prizes..
The Golden Eye goes to 'Faces, Places' at Cannes
The film by Agnès Varda and JR has won the award for the best documentary screened across the various Cannes selections this year..
'They' (2017)
Movie Review • Cannes 2017

A minor-key portrait of an identity crisis. Jane Campion executive produced Iranian-born director Anahita Ghazvinizadeh's debut feature..
Susan Sarandon talks film and politics • Cannes 2017
In the run-up to the screening, Sarandon, who was named an ambassador for the beauty brand last year, sat down with WWD to talk film..
Loveless (2017)
Cannes 2017 • Movie Review

Such a haunting experience that it remains absorbing even when it doesn't go anywhere. Russia has always been a cold and dreary place in the cinema of..
Get Out (2017)
With the ambitious and challenging “Get Out,” Jordan Peele reveals that we may someday consider directing the greatest talent of this fascinating actor and writer..
Karim Moussaoui
Interview • Cannes 2017

Cineuropa met up with Karim Moussaoui to discuss his first film 'Until the Birds Return', presented in the Un Certain Regard section at the 70th Cannes Film..
Alejandro Jodorowsky's 'Endless Poetry' (2016)
Alejandro Jodorowsky's 'Endless Poetry' is the most accessible movie he has ever made, and it may also be the best. It's Felliniesque and moving..
The Other Side of Hope
Movie review

Five years after Le Havre, Finland’s deadpan morose-romantic master delivers the second part of a prospective ‘dockyard trilogy’ with this..
Lerd (2017) • Cannes
Interview with M. Rassoulof
Iranian filmmaker Mohammad Rassoulof represents Iran at the Un Certain Regard competition section of the 70th Cannes Film Festival with his latest film ..
Arnaud Desplechin talks about 'Ismael’s Ghosts'
CANNES 2017: French director Arnaud Desplechin talks about Ismael’s Ghosts, which was screened out of competition at the opening of the 70th Cannes Film..
Happy End (2017)
Cannes Film Festival
First Clip from Michael Haneke’s ‘Happy End’ Features a Very Unhappy Dinner Party. After all, this is the director behind such films as 'The White Ribbon,' 'Amour..
Vanessa Redgrave Sparks
'The Loves of Isadora'

Karel Reisz' biographical portrait of Isadora Duncan stars Vanessa Redgrave as the famed modern dancer, who gained notoriety for her revolutionary..
Wild Tales (2015)
An inventive Argentinian film
Argentina’s “Wild Tales” comes as such an extraordinary surprise. Perhaps the best multi-story feature this reviewer has ever seen..
Noureddin Zarrinkelk
Life Achievement Award

A tribute to legendary Iranian/American animation director, writer and illustrator. Born on April 10, 1937 in Iran, Zarrinkelk founded the first school of Animation..
"The Idea of a Lake"
By Milagros Mumenthaler
Finding inspiration in the true story of a woman whose father disappeared during the civilian-military dictatorship in Argentina..
Tehran Taboo (2017)
First animation in Critics’ Week

In his animated drama, the German-Iranian filmmaker paints a dark picture of the metropolis, a city of prohibitions..
The Day Will Come
London Film Festival 2016
Based on real stories from a boy home called ‘godhavn’, where lots of boys were victims of violent and sexual abuse and medical experiments...
Respiro (2003)
The Critics' Week Grand Prize Winner at Cannes 2002

A cheerful, life-affirming film, strong in its energy, about vivid characters ; using mental illness as an entertainment..
Southside with You (2016)
Barack and Michelle Obama's First Date
A mostly-true account of the first date between Barack Obama and his wife Michelle. A look back on a fateful..
History of the Festival de Cannes
A NEW FESTIVAL IS BORN

The first edition of the Festival was originally set to be held in Cannes in 1939 under the presidency of Louis..
Hidden Reserves:
Immortality, but at what price?
Vienna in the near future. An insurance company has created a system in which people do not even have a right to..
Slavoj Zizek's
The Pervert's Guide to Ideology

You don't have to share Slavoj Zizek's materialist philosophy to find his analyses of culture and movies witty, insightful..
The Birth of a Nation
Biblical passion and Cheesy emotion
Nate Parker’s heartfelt account of Nat Turner, the slave who led a rebellion in 1830s Virginia, is conventionally paced..
Graduation (2016)
A Study of Grubby Bureaucratic Compromise

Graduation marks yet another well-written and powerfully acted look at morality and societal decay from..
Incendies (2010)
A Powerful, Disturbing film
Adapted from the 2003 play by Wajdi Mouawad, twins Jeanne and Simon leave Canada for the Middle East to fulfill their mother’s final wish..
Spotlight (2015)
The Power Of The Press

The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese..
Before the Flood (2016)
An Inconvenient Truth
Here is a heartfelt, decent, educational documentary about the most important issue of our time – climate change – presented by A-lister Leonardo DiCaprio..
I, Daniel Blake (2016)
Winner of the Palme d’Or

I, Daniel Blake marks yet another well-told chapter in director Ken Loach's powerfully populist filmography. Returning to filmmaking after saying..
"Razor’s Edge: The Legacy of Iranian Actresses"
A look at the often controversial role of women in Iranian cinema during the secular period from the 1930s to the Islamic Revolution in 1979..
Afghan Film Festival
12-21. April 2017

After much planning and inspirational talk, we can finally unveil a special cultural event on Danish soil: Afghan Film Festival in Copenhagen..
Bahman Ghobadi's
‘Rhino Season’

Produced by Martin Scorsese, this is the first film Ghobadi has made in exile. The work of a great talent marshaling all of his powers as a cinematic storyteller..
Dying for a Song
"Art is education, art is existence, its everything"

A documentary about the musicians being persecuted for raising their voices against political, cultural or religious..
A Simple Plan • Review
A Frozen Setting Frames a Chilling Tale
"You work for the American Dream--you don't steal it." So says a Minnesota family man early in "A Simple Plan," but he is..
Macon Blair’s
'I Don't Feel at Home in This World Anymore' (2017)

What's delightful about Macon Blair’s movie is how consistently the film challenges our worst assumptions..
Blue Jay (2016)
A trip down memory lane
Meeting by chance when they return to their tiny California hometown, two former high-school sweethearts reflect on their shared past..
Paterson (2016)
'I breathe poetry'

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet. The film adds another refreshingly unvarnished entry to..
To Walk Invisible (2016)
A serious Brontë biopic
We finally have a biographic film that feels modern, in that it takes into account all we now know about the lives of the Brontë sisters, and throws away old..
Ixcanul (2016)
Life doesn't regenerate without untameable fury

You can sense the director's respect for his subject in the movie's unhurried dramatic rhythms, its grounding in..
A Man Called Ove • Review
Swedish Oscar nominee for Foreign Language Film for Oscars 2017, tells the familiar story of the curmudgeonly old man whose grumpy life is brightened by forces beyond his control..
Oscars 2017
Foreign language Oscar nominees decry 'climate of fanaticism in US'. The six directors in the running for this year’s foreign language Oscar have issued a joint statement blaming..
Berlinale 2017 • Awards
The 2017 Berlinale awards have just been announced. Ildikó Enyedi’s Hungarian drama 'On Body and Soul' won the Golden Bear for best film at the Berlin Film Festival on Saturday...
Welcome to Online Film Home! The place for all film lovers.

Movie Review
EVERY MAN FOR HIMSELF

By Vincent Canby, nytimes.com

Every Man for Himself is a single seamless endeavor, a stunning, original work about which there is still a lot to say, but there's time. I trust it will outlive us all.

"Nobody is independent, not whores, not typists, not duchesses, not servants, not champion tennis players. Only the banks are independent."

It would be misleading to say that Jean-Luc Godard's brilliant new comedy, Every Man for Himself, the French title of which is Sauve Qui Peut/La Vie, is the story of Paul, Denise, and Isabelle.



Though it's primarily about Paul, Denise, and Isabelle, as well as about amorous bellboys, patient pimps, lecherous businessmen, opera singers who won't shut up, modern milkmaids, and total strangers, it's not a story in any familiar way. Rather it's about this particular time and place in history as reflected in a series of cockeyed epiphanies and paradoxes.

Paul (Jacques Dutronc), a shrewd, good-looking young man with a strong sense of style and his own importance, which is paramount, works in a Swiss television station. He is separated from his wife and skeptical, twelve-year-old daughter, though they are on speaking terms.



Denise (Nathalie Baye), who works with Paul and has been having an intense, quite unsatisfactory affair with him, is thinking about changing her life by a move to the country. The glamour has gone out of television for Denise. There must be more to life than trying to get hold of Marguerite Duras or, as she puts it tersely, "I want to do things, not just name them."

Isabelle (Isabelle Huppert), a country girl with a ravishingly pretty, poker face and the practicality of a peasant, has come to the city to make her living as a prostitute. This is not a fate worse than death for Isabelle, nor is she degraded by her work. She remains removed from it. In the way of a registered nurse, she's efficient and cool in every emergency.

Though Paul has his job as an anchor, he is without essential aims. He's drifting. Denise is restless, but has no clear notion how to improve things except to get up and move. Isabelle saves her money and, you suspect, she'll one day open a beauty parlor or a boutique. In the meantime, she hasn't the leisure to be happy or unhappy.

In the course of Every Man for Himself, whose English title was Slow Motion when it was shown at Cannes this year, Paul, Denise, and Isabelle meet and, in various combinations, talk, argue, observe, and make love, then separate. There are no thunderous emotional confrontations, but, by the end of the film, one's perceptions have been so enriched, so sharpened, that one comes out of it invigorated. Every Man for Himself leaves you with a renewed awareness of how a fine movie can clear away the detritus that collects in a mind subjected to endless invasions by clichés and platitudes and movies that fearlessly champion the safe or obvious position. It's a tonic.

Every Man for Himself will be shown at the New York Film Festival in Alice Tully Hall tonight and on Saturday. It will open its regular commercial engagement at the Cinema Studio 2 on Sunday.

At one point in the movie, the introspective Denise writes in her journal, "Something in the body arches its back against boredom and aimlessness," which is what Mr. Godard seems to do instinctively when he starts to make a movie. No matter how outrageous some of his public statements about filmmaking and filmmakers, he swoops and soars above and around his subjects with a grace that defies analysis. It's simply what he does, and does better than anyone else of his generation.

Every Man for Himself, his first theatrical film since Tout Va Bien in 1971, recalls the greatest of his "prerevolutionary" films of the sixties — Pierrot Le Fou, Vivre Sa Vie, and Weekend, and, being so completely controlled and disciplined, it may even be more effectively revolutionary than his Maoist movies. Dialectics on the soundtrack can be tuned out. When they are in the images, they pass directly into one's memory bank.

There's not a banal shot or a predictable moment in the film, which has an effect similar to that of poetry or good prose. It invites one to respond to familiar sights and sounds as if coming upon them for the first time. Watching the film is a process of discovery, sometimes funny, sometimes scary.

Though the three principals are given more or less equal time, Isabelle is clearly the film's focal point, whether she is participating in an elaborately choreographed foursome that suggests a Rube Goldberg contraption designed to make sex simple, or being kidnapped by her pimp, who must teach her a lesson. Isabelle has been holding out on him.  The pimp is not cruel, but he is firm. As he spanks her in the back seat of his limousine he makes her repeat after him, "Nobody is independent, not whores, not typists, not duchesses, not servants, not champion tennis players."

Later, when Isabelle's young sister decides to turn tricks, Isabelle gives her pointers in return for fifty percent of the take.

Individual images as well as entire sequences are dense with detail. A bit of random violence seen in the background while Denise waits in a train station puts her restlessness into perspective. Without seemingly being aware of it, the movie conveys a terrific feeling of loss, of something gone forever, in Paul's relationship with his daughter. The film is not "about" fathers and daughters, but what it says, in passing, is more disturbing than some entire novels.

The film is unusually beautiful without being pretty; its style detached, except for those moments when the director calls attention to a look or a gesture through the use of stop-motion. Even then, it's not as if Mr. Godard were telling us what to think, but, rather, suggesting that we consider the possibilities. In this fashion each embrace of Paul and Denise—slowed down as a rapid succession of still photographs—becomes a possibly fatal collision. It's no wonder they're breaking up.

The actors are so much a part of the texture of the film that they can't be easily separated as performers' performances. Every Man for Himself is a single seamless endeavor, a stunning, original work about which there is still a lot to say, but there's time. I trust it will outlive us all.

(For more reading: "Every Man for Himself: Godard Shows the Dark Side of Cooperation" by Charles Mudede)

EVERY MAN FOR HIMSELF (MOVIE)

Directed by Jean-Luc Godard; written (in French, with English subtitles) by Jean-Claude Carrière and Anne-Marie Miéville; cinematographers, William Lubtchansky and Renato Berta; edited by Ms. Miéville and Mr. Godard; music by Gabriel Yared; art designer, Romain Goupil; produced by Alain Sarde and Mr. Godard; released by New Yorker Films. Running time: 87 minutes.

With: Isabelle Huppert (Isabelle Riviere), Jacques Dutronc (Paul Godard), Nathalie Baye (Denise Rimbaud), and Roland Amshutz (Second Customer).


Delicious Delicious

S. Mokhberi - Man Equals Man 



Search


Search Online Film Home:

fa en



Choose an item to go there!


Links


Home
Archived news
OFH Bright version
Iran news

[ Yahoo! ]



options

Find a birthday!


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Home | Film News | Directors Search | Find birthdays! | Persian Weblog | Contact

Copyright 2001 Online Film Home Communications