'20th Century Women'
Chain-smoking and Birkenstock-wearing 55-year-old Dorothea "comes from the Depression," explains her 15-year-old son Jamie, as though "The Depression" is the planet Jupiter..
Film Review: ‘Aquarius’
Led by a powerful performance from Sônia Braga, Aquarius uses a conflict between a tenant and developers to take an insightful look at the relationship between space and identity..
Factory of Lies (2018)
The False News From Russia
Russia has launched an information war - introducing a new weapon. Hundreds of young Russian are producing fake news from fake profiles. But some brave Russian..
Film Review: ‘Mary Shelley’
“Mary Shelley” is a rarity: a literary biopic with an argument. Which is by no means to say that the film, directed by Haifaa al-Mansour (“Wadjda”) forgoes the expected pleasures of the genre..
The legendary actress leaves our world
Today the legendary Iranian-American actress Vida Ghahremani passed away after battling cancer for many years. She went beyond taboos of her time to have the very first..
A Thousand Times Goodnight: Absorbing fact-based drama
Beautifully filmed and powerfully acted, 1,000 Times Good Night achieves absorbing fact-based drama without overindulging in Hollywood contrivances. Starring Juliette..
Cannes 2018 • Changeless Change • Jean-Luc Godard and Jia Zhangke
“We are never sad enough for the world to be better,” laments a concluding female voice in 'The Image Book.' “Something that burns so..
Sridevi honoured At the Cannes Film Festival 2018
Veteran Bollywood actress Sridevi was honoured with the TITAN Reginald F Lewis Film Icon Award at the ongoing Cannes Film Festival..
CANNES 2018 • Awards
Hirokazu Kore-eda’s film has scooped the top prize, while other names on the winners’ list include Europeans Alice Rohrwacher, Marcello Fonte, Pawel Pawlikowski and Jean-Luc Godard..
CANNES 2018 • Un Certain Regard • Awards
CANNES 2018: Victory for the film by Swedish-Iranian director Ali Abbasi. Girl scoops the Award for Best Performance, while Sofia, Donbass and The Dead and the Others are..
Cannes Film Review: ‘Ash Is Purest White’
Jia Zhangke’s gangster epic is a twisting tale of love and survival in 21st-century China. A winding tale of love, disillusionment and survival that again represents his vision of..
Cannes 2018: Lars von Trier’s ‘The House That Jack Built’
It’s a drama that leaves you shaken yet detached, chilled and a little numb. Almost every scene in it has been overly designed to grab your attention..
Cannes Film Review: ‘Bergman — A Year in a Life’
Ingmar Bergman emerges as a compulsive figure with a very grand hunger in a penetrating documentary about his pivotal year of 1957..
CANNES 2018 Competition • 'Summer' (Leto) • Review
CANNES 2018: You'd be right in thinking this was a biopic, but Kirill Serebrennikov's new film – in the running for the Palme d'Or – is above all a ray of light and colour..
Cannes Film Review: Jean-Luc Godard’s ‘The Image Book’
Jean-Luc Godard's new film is a kaleidoscopic bulletin on the state of our world, and the question it asks could apply to itself: Is anyone watching?..
Iran’s Asghar Farhadi • On the push and pull of home
CANNES, France — The Cannes Film Festival opening-night premiere of Asghar Farhadi’s “Everybody Knows” coincided almost exactly with President Trump’s announced..
Cannes Film Review: ‘Sextape’
Half the conversation in “Sextape” is about blowjobs
Two cads treat their girlfriends like sex toys in a slice of bad behavior that would like to be a vérité youthquake but sticks to the raunchy..
CANNES 2018 • Un Certain Regard • Ali Abbasi • Border
CANNES 2018: Cineuropa talked to Tehran-born director Ali Abbasi about his sophomore effort, Border, based on a short story by John Lindqvist and screening in Un..
Cannes 2018: The directors who are banned from attending the film festival
Iranian film-maker Jafar Panahi and Russian director Kirill Serebrennikov – who both have films competing for the Palme d’Or – have..
'Wonder Wheel'
A larger-than-life Kate Winslet

Actress sets the screen on fire in filmmaker's torrid period drama about broken Brooklyn dreamers. Kate Winslet is on fire in Woody Allen's Wonder Wheel..
Through the Black Forest
A Rare Interview With von Trier
Here he looks back at his work, talks about his forthcoming movie, and reveals his idea for a new series of small films. Finally he makes a comment on his controversial statement..
Nasser Cheshmazar
'Rain of Love' creator dies at 68

A prominent Iranian composer who was best known for his memorable album “Rain of Love” and theme music for over 20 movies, died of a heart attack on Friday. He was 68..
The Young Karl Marx
Brainy Content Bracing
The early years of Karl Marx, Friedrich Engels and Jenny Marx, between Paris, Brussells and London. In Paris, Marx struggles, unpaid by Ruge, unable to provide for his wife Jenny..
'Lucky' • Movie Review
Harry Dean Stanton Gets the Goodbye He Deserves

Lucky is a bittersweet meditation on mortality, punctuating the career of beloved character actor Harry Dean Stanton. The late, great..
U – July 22 • Film Review
Norwegian kills for thrills?
Erik Poppe’s hyperrealist one-take dramatisation of Anders Breivik’s summer camp massacre offers little sign of moral perspective..
Interview • Kamyar Mohsenin
The Fajr International Film Festival’s manager of international relations, Kamyar Mohsenin, explains to Cineuropa how the gathering has played a vital role in the development of Iranian cinema..
Inuit drama "Aga"
Crowned best at Fajr Film Fest
Bulgarian director Milko Lazarov’s drama “Ága” about two Inuits that live with the dream of reuniting their family has been picked as best movie at the 36th Fajr International Film..
Interview • Director Sergei Loznitsa on Russia
The acclaimed Ukrainian director discusses his latest drama A Gentle Creature, the Ukraine-Russia conflict, and the ‘hell’ of Russian history. “Hell isn’t when horrible things..
Oliver Stone In Iran 2018
For attending Movie Festival
American movie director Oliver Stone was Iran on Monday attending an international film festival. Stone hosted a workshop for filmmakers during the Fajr Film Festival..
Cate Blanchett • To Lead Cannes Film Festival Jury
Chaired by Australian actress Cate Blanchett, the competition jury at the 71st Cannes Film Festival (9-19 May) has now had its line-up unveiled in its entirety..
CANNES 2018 Official Selection
Nuri Bilge Ceylan, Yann Gonzalez and Sergey Dvortsevoy are all now in the race for the Palme d’Or. Lars von Trier will feature out of competition, while Terry Gilliam will close the festival..
Lars von Trier
Receives Denmark's Largest Cultural Award

Denmark's largest cultural award of one million kroner, awarded to Danish film director Lars von Trier on Thursday at the University of..
IRAN NOW • A Mini Festival
The Danish Film Institute 2018
IRAN NOW is a mini festival that looks into the situation in Iran right now, as it is expressed artistically, culturally and socially. Through plenty of guests, we explore the..
The Party (2018)
It Knocks The Wind Out of You

Potter's comic dissection of the London intelligentsia's personal and political angst is completely of the moment. Old-fashioned charm meets sharp wit and modern social..
'Umbra' and 'Like a Good Kid'
Two Iranian movies join Cannes competition
Two movies by Iranian filmmakers will be competing in the Cannes Film Festival as the 71st edition of the event will open with..
Peter Bradshaw on the Cannes 2018 lineup
Some mixed signals with the traditional unveiling of the Cannes film festival’s official selection: a very lively and effervescent list, with eight newcomers in competition and..
Cannes Festival To Feature Films By Dissident Iranian, Russian Directors
France's Cannes film festival has made a show of support for dissident directors in Iran and Russia in unveiling its selection of films..
Cannes 2018
Un Certain Regard puts its faith in young talents

The Cannes selection features a strong European presence, six feature debuts, and films by Valeria Golino, Bi Gan, Ali Abbasi..
Jafar Panahi: Cannes 2018
French Authorities To Appeal Iran For Filmmaker’s Fest Presence. Cannes chief Thierry Frémaux said today that the festival will appeal to Iran for the filmmaker’s presence..
Copenhagen to screen
'The Home' (Ev) from Iran

A superbly cinematic chamber piece, 'The Home' (Ev) has been selected for screening at Danish Film Institute during a festival of Iranian films..
Last Men in Aleppo (2017)
Feras Fayyad’s Breathtaking Work
Academy Award Nominee for Best Documentary Feature and winner of the Grand Jury documentary prize at the Sundance Film Festival..
Doc on Farhadi’s “Salesman”
to premiere in Tehran

A documentary on Asghar Farhadi’s Oscar-winning drama 'The Salesman' is scheduled to premiere in Tehran in the near future. It will be screened at the Art and Experience..
'Everybody Knows' to open the Cannes Film Festival
The film by Iranian director Asghar Farhadi will be screened in competition as the opening movie of the 71st Cannes Film Festival starring Javier Bardem, Penelope Cruz and Ricardo Darin..
Faces Places (2017)
A Visual Ode to Ordinary People

Agnes Varda is almost 90 years old and she is still making fantastic films. Searching, compassionate, provocative, funny, sad ones. This is one of them..
A Fantastic Woman (2018)
The story of Marina who undergoes several misfortunes after losing a loved one. A woman who is not granted the respect a grieving wife or girlfriend would receive. All she wants is be allowed to say goodbye, to grieve publicly..
‘In the Fade’ (2017)
A Tale of Grief and Violence

How should liberal societies deal with homegrown political extremists, who seek protection from the democratic norms and institutions they are committed to destroying?
John Malkovich • Interview
Recently, at the Hotel Caron in Paris, I got up to use the bathroom one night and found myself out in the hallway instead. But that is one of a million: I am a constant source of embarrassment to myself..
'Loveless’ (2017)
Unnerving and Fearless

Loveless is a stunning indictment of complacency, and a reminder of how fast something you love — like our democracy — can suddenly go poof if you look away..
The Big Lebowski
A typical Coen brothers film is like no film you've ever seen. It blows other more recent slacker comedies out the water and proves that Bridges can do any role..
Berlin: Mani Haghighi's "Pig"
Talks Buzzy Black Comedy

Iranian director and actor Mani Haghighi is a Berlinale aficionado. His gender-bender “A Dragon Arrives!” made a splash when it launched from the fest’s competition section..
Three Billboards Outside Ebbing, Missouri
Anger is an energy in Martin McDonagh’s brilliant “Three Billboards Outside Ebbing, Missouri ,” one of the best films of the year. A vigilante mother takes matters into her own..
36th Fajr Film Festival
winners honored

The annual Fajr Film Festival (FFF) came to an end on Sunday at Tehran’s Milad Tower after presenting awards to the best of cinematic productions in the past year..
The Glass Castle (2017)
Affecting, Moving and Well acted
A young girl comes of age in a dysfunctional family of nonconformist nomads with a mother who's an eccentric artist and an alcoholic father who would stir the children’s..
Lars von Trier receives the biggest award in Denmark
The biggest cultural award in Denmark, the Sonning Prize (Sonningprisen) this year goes to Danish filmmaker and screenwriter Lars von Trier, who was elected by a committee..
Armed With Words & Wings
Michael Strunge became the voice of a new generation and a mirror reflection of their identity and life, while he struggled with anxiety and psychotic attacks that pushed him to commit suicide at the age of 27..
THE INSULT (2017)
Civil War Beirut Style

Lebanese film director Ziad Doueiri made headlines recently when authorities in Beirut arrested him at the Beirut-Rafic Hariri International Airport for questioning about..
The Apu Trilogy
Achingly poignant, beautifully shot, and evocatively atmospheric, Satyajit Ray's classic trilogy is a masterpiece no cinephile can afford to miss. "I can never forget the excitement in my mind after seeing it..
Walk With Me (2017)
A thoroughly meditative cinema

One of the most calming documentaries you’re likely to ever see is “Walk with Me,” a documentation of Zen Buddhists and their community of Plum Village in France..
What Will People Say (2017)
TORONTO 2017: Cineuropa spoke with Norwegian director Iram Haq whose latest film 'What Will People Say' had its world-premiering at Toronto. “I used the knowledge I have to tell a story so we can build bridges..
Silence (2016)
A once in a lifetime movie

Is it moral to allow others to suffer when their suffering can be ended with a single symbolic gesture? Would God want that? Maybe the priest is destined to realize that it’s all right..
Sepideh Farsi preparing The Siren
1980, Abadan. The capital of the Iranian oil industry is resisting an Iraqi siege. Omid, a 14-year-old boy, has stayed back in the city, with his grandfather, waiting for his..
Sohrab Shahid Saless
The Experience of Exile

A visionary and truly transnational artist, Shahid Saless remained a solitary figure throughout his life. Still his films have left an indelible mark..
EUROPEAN FILM AWARDS 2017
The Square sweeps the Awards
Ruben Östlund’s film The Square – and more specifically a comedy – has taken home most of the awards from the European Film Awards ceremony..
Sophie's Choice • Review
Streep is memorable as Sophie

So perfectly cast and well-imagined that it just takes over and happens to you. It's quite an experience. 'Sophie’s Choice' begins as a young Southerner's odyssey to..
'Vanaja' • Movie Review
A wondrous piece of filmmaking
A Sensitive, Engaging movie from a first-time filmmaker. Rajnesh Domalpalli made this poignant 2006 drama as his thesis film for a master's degree at Columbia University..
Invasion (2017)
How Thirsty are you?

'Invasion' is Shahram Mokri’s third feature after Fish & Cat. Both pics experiment “with nonlinear narrative, thriller elements and point of view,” as Variety critic wrote in her..
Half Moon | Niwemang
A road movie unlike any other
The Kurds may not yet have a country, but as long as Bahman Ghobadi keeps making movies they have a national cinema. Bahman Ghobadi's Half Moon is a beautiful and..
Emma Thompson demands
Nazanin Zaghari-Ratcliffe is brought home

Actress Emma Thompson has accused Boris Johnson of doing “sweet FA” for the British-Iranian woman imprisoned in Iran..
Kedi (2017) • Movie review
As soft and warm as a kitten
Kedi is a cat fancier's dream, but this thoughtful, beautifully filmed look at Istanbul's street feline population offers absorbing viewing for filmgoers of any purr-suasion..
'Young Torless' • Cruelty of Man Is Explored
A great psychological and philosophical treatise on how normal, well-to-do people, can turn themselves into "torturers and sacrificial lambs," as Torless himself states..
The Killing of a Sacred Deer
Movie Review
With uniformly great performances throughout the cast and Lanthimos’ stunning eye for detail and composition, this is one of the most unforgettable films of the year..
Until the Birds Return (2017)
My characters are at a turning point in their personal lives, yet they are not and do not want to be actors for change. In the 1990s an unprecedented civil war left 200,000 dead in Algeria, and tens of thousands..
The Divine Order (2017)
A hilarious comedy that hides ill-concealed discomfort
Petra Volpe continues to talk to us about women, and does so by turning the spotlight on a somewhat inglorious episode
Iranian filmmaker Cannot attend stokholm film festival
The acclaimed Iranian director Mohammad Rasoulof has been denied exit from Iran and will not be able to attend the Stockholm International Film Festival..
WINDOW HORSES • A Canadian film about Iranian Poetry
A young Canadian poet with Chinese and Persian parents travels to Iran to perform at a poetry festival. Ann Marie Fleming’s..
A Look at “My Brother Khosro”
An intelligent movie dealing with a pain, a pain that without any pessimistic approach is part of a pain of a family, one of whose members has a mental problem..
ON THE BEACH 2017
'This is the way the world ends. Not with a bang but a whimper.' These lines from T.S. Eliot's poem The Hollow Men appear at the beginning of Nevil Shute's novel On the Beach, which left me close to tears..
Al Berto: A Biopic about the life of Portuguese poet
Liberty was there for the taking, but people had not been taught to be free and were not sure exactly what to do with it. Al Berto was ready for Sines, but Sines wasn’t..
Houman Seyyedi talks to CWB
I knew Houman Seyyedi as a very talented actor until I learned about him as a film director and then came the big suprise. After watching the four movies that..
Pouran Drakhshandeh talks about Under the Smoky Roof
Last Thursday, was the opening night of 'Under the Smoky Roof', a social drama directed by Pouran Derakhshandeh at the Fine Arts Theater, Los Angeles..
12 European films awarded At The Warsaw Film Fest
The Polish event’s Grand Prix went to the Chinese feature To Kill a Watermelon. Danish film The Charmer by Milad Alami won Competition 1-2 prize..
LOVING VINCENT (2016)
The final mysterious days in the life of Vincent van Gogh are the subject of investigation in this formally daring work, seven years in the making, that marries live action performance to..
Never Let Me Go
With Never Let Me Go, Mark Romanek has delivered a graceful adaptation that captures the spirit of the Ishiguro novel -- which will be precisely the problem for some viewers..
Interview • Milad Alami
SAN SEBASTIÁN 2017: Cineuropa chatted to Swedish-Iranian filmmaker Milad Alami, whose feature debut, The Charmer, is currently taking part in New Directors at San Sebastián..
Wild (2014)
Mini-Odyssey of a broken character
'I’m going to walk myself back to the woman my mother thought I was.' Powerfully moving and emotionally..
An Iranian film director
On the country's censorship

How does censorship work in Iran? The FRANCE 24 Observers team is publishing a two-part interview about censorship and Iranian cinema..
Mountain | Monte (2016)
Now, at 70 years old, Amir Naderi is a true international filmmaker. After "Mountain" (made in Italy) he is now ready to come home to US and start all over again. "It is just the beginning,"..
10th Annual Iranian Film Festival - San Francisco
Welcome to the 10th Annual Iranian Film Festival – San Francisco. This year, the festival presents 40 films from Iran, USA, Italy, France, Canada..
Shirin Neshat • Interview
VENICE 2017

Iranian artist Shirin Neshat remembers an iconic figure from Arab music on the big screen in Looking for Oum Kulthum, a film in competition in the Giornate degli Autori
VENICE 2017 • Interview
Emre Yeksan's The Gulf

“We live in a period of slow decay, and the smell won’t go away any time soon.” Emre Yeksan’s feature debut, The Gulf, has been premiered in the International..
Video Essay Explores
Orson Welles’ ‘F For Fake’

Most cineastes associate Orson Welles with films like “Touch of Evil” and “Citizen Kane.” But his 1974 oddity, is worth seeking out for those who wish to dig..
‘MOTHER! • VENICE 2017
7 Things to Know About

Darren Aronofsky's 'Mother' centers on a couple whose relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence...
Shirin Neshat • VENICE
'Looking for Oum Kulthum'

“story of an Iranian woman filmmaker, living in exile, who dares to make a film about an iconic Arab singer without being Arabic herself,” Neshat said in her first..
VENICE 2017 • Orizzonti
'Oblivion Verses'

Iranian filmmaker Alireza Khatami is presenting his debut feature Oblivion Verses in Orizzonti at Venice, where Cineuropa spoke to him about fantasy..
VENICE 2017 Competition
'Human Flow'

Artist Ai WeiWei is in the Venice competition with this documentary shot in 2015 and 2016, uncovering the growing crisis of displaced people across the..
Asghar Farhadi begins filming 'Everybody Knows'
The two-time Oscar winner is shooting this European co-production in Spain, with a Spanish-speaking cast headlined by Javier Bardem, Penélope Cruz..
The Song Of Scorpions
Anup Singh’s ambitious third feature stars Golshifteh Farahani and Irrfan Khan, following an independent woman as she struggles against hardship and treachery to remain true to her own instincts..
Tokyo Sonata :: Movie Review
An adventurous work both disturbing and ultimately moving. Kiyoshi Kurosawa's first domestic drama is music to general audience's ears..
The Homesman (2014)
A genuine art film
"The Homesman," despite the title, is about women. Women are the center of the action, women drive the action forward, women are not only damsels in..
MONSIEUR IBRAHIM :: Movie Review
Tender but never sappy, Monsieur Ibrahim brings two people of vastly different age and background together in ways that are touching, and telling..
The Innocents (2016)
'The Innocents’ is a profound meditation on a forgotten moment in history. Lou de Laage shines in Anne Fontaine's provocative historical drama. When Anne Fontaine’s “The Innocents” made its..
VENICE 2017 :: Venice Days
Samira Makhmalbaf named as jury president for Venice Days 2017. The Iranian actress and director will chair the jury made up of 28 young viewers from..
NETWORK (1976)
It's never been more timely
Criticised by some at the time for a certain naivety and lack of subtlety, this remains one of the most devastating condemnations of the media's urge to..
Woody Allen & his New Orleans Jazz Band at the Copenhagen Jazz Festival
The iconic filmmaker and clarinet player Woody Allen joins the international headliners at the Copenhagen Jazz Fest
Death And The Maiden
A thought-provoking piece
"Death and the Maiden" is said to be based on events in Chile, but it could take place in any of the many countries where rule is by force and intimidation..
'Insyriated'(2017)
Gripping from start to finish

This nerve-wracking study of life in Damascus won an Audience Award at Berlinale. Hiam Abbass holds together a household under siege in..
Ali & Nino (2016)
A fascinating story of two young people in love who found themselves between East and West cultures during World War I and Civil War when young democratic Azerbaijan Republic got squashed by..
Dangerous Beauty (1998)
Venezia's Hidden Treasure

Based on the true story of Veronica Franco, a well-born Venetian beauty who deliberately chose the life of a courtesan because it seemed a better choice than..
The Polygon People
The Documentary
A First look at the ‘most nuked place on Earth’ where Soviet Union detonated 456 bombs over the course of 40 years. A look at the way locals’ lives were..
‘When God Sleeps’ (2017)
winner of the Golden Heynal

The best music documentary film and hence the winner of the Golden Heynal award at the 57th Krakow Film Festival, by the decision of the Jury under the..
Cannes 2017 • Awards
And the winners are...
Ruben Östlund’s The Square wins the Palme d’Or. Pedro Almodóvar’s jury divided its prizes across a generally deserving spread of films..
Retrospective • Dustin Hoffman • The Graduate
Dustin Hoffman turns 80 later this year, the Irish Film Institute (IFI) takes the opportunity to celebrate the work of Dustin Hoffman, on the occasion of..
Mohammad Rasoulof's
Goodbye | Be omide didar
Another superb piece of work produced in Iran. Let's pause for a minute and reflect on just how difficult it is to get these movies made..
A Master's Final Frames
Cannes 2017

Movingly presented at the largest cinema in Cannes, the Iranian auteur Abbas kiarostami's final film may be the most experimental ever shown at the..
Iranian filmmaker wins major prize at Cannes
Iranian auteur Mohammad Rasoulof's bleak drama "A Man of Integrity" won the Un Certain Regard competition at the Cannes film festival on Saturday..
Kantemir Balagov's 'Closeness' at Cannes
A social realist debut from Kantemir Balagov is an intense film influenced by the Dardenne brothers. For the Un Certain Regard selection at Cannes..
Cannes’ FIPRESCI Prize goes to (Beats Per Minute)
The international critics have crowned Robin Campillo’s film BPM (Beats Per Minute); Closeness and The Nothing Factory also awarded..
The award winners of the Cinéfondation unveiled
Student films from Belgium, Iran and France, awarded at the Cinéfondation. The jury of the Cinéfondation, chaired by Cristian Mungiu, has handed prizes..
The Golden Eye goes to 'Faces, Places' at Cannes
The film by Agnès Varda and JR has won the award for the best documentary screened across the various Cannes selections this year..
'They' (2017)
Movie Review • Cannes 2017

A minor-key portrait of an identity crisis. Jane Campion executive produced Iranian-born director Anahita Ghazvinizadeh's debut feature..
Susan Sarandon talks film and politics • Cannes 2017
In the run-up to the screening, Sarandon, who was named an ambassador for the beauty brand last year, sat down with WWD to talk film..
Loveless (2017)
Cannes 2017 • Movie Review

Such a haunting experience that it remains absorbing even when it doesn't go anywhere. Russia has always been a cold and dreary place in the cinema of..
Get Out (2017)
With the ambitious and challenging “Get Out,” Jordan Peele reveals that we may someday consider directing the greatest talent of this fascinating actor and writer..
Karim Moussaoui
Interview • Cannes 2017

Cineuropa met up with Karim Moussaoui to discuss his first film 'Until the Birds Return', presented in the Un Certain Regard section at the 70th Cannes Film..
Alejandro Jodorowsky's 'Endless Poetry' (2016)
Alejandro Jodorowsky's 'Endless Poetry' is the most accessible movie he has ever made, and it may also be the best. It's Felliniesque and moving..
The Other Side of Hope
Movie review

Five years after Le Havre, Finland’s deadpan morose-romantic master delivers the second part of a prospective ‘dockyard trilogy’ with this..
Lerd (2017) • Cannes
Interview with M. Rassoulof
Iranian filmmaker Mohammad Rassoulof represents Iran at the Un Certain Regard competition section of the 70th Cannes Film Festival with his latest film ..
Arnaud Desplechin talks about 'Ismael’s Ghosts'
CANNES 2017: French director Arnaud Desplechin talks about Ismael’s Ghosts, which was screened out of competition at the opening of the 70th Cannes Film..
Happy End (2017)
Cannes Film Festival
First Clip from Michael Haneke’s ‘Happy End’ Features a Very Unhappy Dinner Party. After all, this is the director behind such films as 'The White Ribbon,' 'Amour..
Vanessa Redgrave Sparks
'The Loves of Isadora'

Karel Reisz' biographical portrait of Isadora Duncan stars Vanessa Redgrave as the famed modern dancer, who gained notoriety for her revolutionary..
Wild Tales (2015)
An inventive Argentinian film
Argentina’s “Wild Tales” comes as such an extraordinary surprise. Perhaps the best multi-story feature this reviewer has ever seen..
Noureddin Zarrinkelk
Life Achievement Award

A tribute to legendary Iranian/American animation director, writer and illustrator. Born on April 10, 1937 in Iran, Zarrinkelk founded the first school of Animation..
"The Idea of a Lake"
By Milagros Mumenthaler
Finding inspiration in the true story of a woman whose father disappeared during the civilian-military dictatorship in Argentina..
Tehran Taboo (2017)
First animation in Critics’ Week

In his animated drama, the German-Iranian filmmaker paints a dark picture of the metropolis, a city of prohibitions..
The Day Will Come
London Film Festival 2016
Based on real stories from a boy home called ‘godhavn’, where lots of boys were victims of violent and sexual abuse and medical experiments...
Respiro (2003)
The Critics' Week Grand Prize Winner at Cannes 2002

A cheerful, life-affirming film, strong in its energy, about vivid characters ; using mental illness as an entertainment..
Southside with You (2016)
Barack and Michelle Obama's First Date
A mostly-true account of the first date between Barack Obama and his wife Michelle. A look back on a fateful..
History of the Festival de Cannes
A NEW FESTIVAL IS BORN

The first edition of the Festival was originally set to be held in Cannes in 1939 under the presidency of Louis..
Hidden Reserves:
Immortality, but at what price?
Vienna in the near future. An insurance company has created a system in which people do not even have a right to..
Slavoj Zizek's
The Pervert's Guide to Ideology

You don't have to share Slavoj Zizek's materialist philosophy to find his analyses of culture and movies witty, insightful..
The Birth of a Nation
Biblical passion and Cheesy emotion
Nate Parker’s heartfelt account of Nat Turner, the slave who led a rebellion in 1830s Virginia, is conventionally paced..
Graduation (2016)
A Study of Grubby Bureaucratic Compromise

Graduation marks yet another well-written and powerfully acted look at morality and societal decay from..
Incendies (2010)
A Powerful, Disturbing film
Adapted from the 2003 play by Wajdi Mouawad, twins Jeanne and Simon leave Canada for the Middle East to fulfill their mother’s final wish..
Spotlight (2015)
The Power Of The Press

The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese..
Before the Flood (2016)
An Inconvenient Truth
Here is a heartfelt, decent, educational documentary about the most important issue of our time – climate change – presented by A-lister Leonardo DiCaprio..
I, Daniel Blake (2016)
Winner of the Palme d’Or

I, Daniel Blake marks yet another well-told chapter in director Ken Loach's powerfully populist filmography. Returning to filmmaking after saying..
"Razor’s Edge: The Legacy of Iranian Actresses"
A look at the often controversial role of women in Iranian cinema during the secular period from the 1930s to the Islamic Revolution in 1979..
Afghan Film Festival
12-21. April 2017

After much planning and inspirational talk, we can finally unveil a special cultural event on Danish soil: Afghan Film Festival in Copenhagen..
Bahman Ghobadi's
‘Rhino Season’

Produced by Martin Scorsese, this is the first film Ghobadi has made in exile. The work of a great talent marshaling all of his powers as a cinematic storyteller..
Dying for a Song
"Art is education, art is existence, its everything"

A documentary about the musicians being persecuted for raising their voices against political, cultural or religious..
A Simple Plan • Review
A Frozen Setting Frames a Chilling Tale
"You work for the American Dream--you don't steal it." So says a Minnesota family man early in "A Simple Plan," but he is..
Macon Blair’s
'I Don't Feel at Home in This World Anymore' (2017)

What's delightful about Macon Blair’s movie is how consistently the film challenges our worst assumptions..
Blue Jay (2016)
A trip down memory lane
Meeting by chance when they return to their tiny California hometown, two former high-school sweethearts reflect on their shared past..
Paterson (2016)
'I breathe poetry'

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet. The film adds another refreshingly unvarnished entry to..
To Walk Invisible (2016)
A serious Brontë biopic
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THE SECRETS OF THE US ELECTION:
JULIAN ASSANGE TALKS TO JOHN PILGER


johnpilger.com, 5 November 2016


This interview was filmed in the Embassy of Ecuador in London - where Julian Assange is a political refugee -  and broadcast on 5 November 2016.


Whistleblower Julian Assange has given one of his most incendiary interviews ever in a John Pilger Special, courtesy of Dartmouth Films, in which he summarizes what can be gleaned from the tens of thousands of Clinton emails released by WikiLeaks this year.



John Pilger, another Australian émigré, conducted the 25-minute interview at the Ecuadorian Embassy, where Assange has been trapped since 2012 for fear of extradition to the US. Last month, Assange had his internet access cut off for alleged “interference” in the American presidential election through the work of his website.

John Pilger:

What's the significance of the FBI's intervention in these last days of the U.S. election campaign, in the case against Hillary Clinton?

Julian Assange:

If you look at the history of the FBI, it has become effectively America's political police. The FBI demonstrated this by taking down the former head of the CIA [General David Petraeus] over classified information given to his mistress. Almost no-one is untouchable.  The FBI is always trying to demonstrate that no-one can resist us.  But Hillary Clinton very conspicuously resisted the FBI's investigation, so there's anger within the FBI because it made the FBI look weak.  We've published about 33,000 of Clinton's emails when she was Secretary of State.  They come from a batch of just over 60,000 emails, [of which] Clinton has kept about half - 30,000 -- to herself, and we've published about half.

Then there are the Podesta emails we've been publishing.  [John] Podesta is Hillary Clinton's primary campaign manager, so there's a thread that runs through all these emails; there are quite a lot of pay-for-play, as they call it, giving access in exchange for money to states, individuals and corporations. [These emails are] combined with the cover up of the Hillary Clinton emails when she was Secretary of State, [which] has led to an environment where the pressure on the FBI increases.

Australian journalist and documentary maker John Pilger (L) and Julian Assange, Founder and Editor-in-Chief of WikiLeaks © Reuters / Dartmouth Films

John Pilger:

The Clinton campaign has said that Russia is behind all of this, that Russia has manipulated the campaign and is the source for WikiLeaks and its emails.

Julian Assange:

The Clinton camp has been able to project that kind of neo-McCarthy hysteria: that Russia is responsible for everything.  Hilary Clinton stated multiple times, falsely, that seventeen U.S. intelligence agencies had assessed that Russia was the source of our publications. That is false; we can say that the Russian government is not the source. 

WikiLeaks has been publishing for ten years, and in those ten years, we have published ten million documents, several thousand individual publications, several thousand different sources, and we have never got it wrong.

John Pilger:

The emails that give evidence of access for money and how Hillary Clinton herself benefited from this and how she is benefitting politically, are quite extraordinary. I'm thinking of  when the Qatari representative was given five minutes with Bill Clinton for a million dollar cheque.

Julian Assange:

And twelve million dollars from Morocco ...

John Pilger:

Twelve million from Morocco yeah.

Julian Assange:

For Hillary Clinton to attend [a party].

John Pilger:

In terms of the foreign policy of the United States, that's where the emails are most revealing, where they show the direct connection between Hillary Clinton and the foundation of jihadism, of ISIL, in the Middle East.  Can you talk about how the emails demonstrate the connection between those who are meant to be fighting the jihadists of ISIL, are actually those who have helped create it.

Julian Assange:

There's an early 2014 email from Hillary Clinton, not so long after she left the State Department, to her campaign manager John Podesta that states ISIL is funded by the governments of Saudi Arabia and Qatar.  Now this is the most significant email in the whole collection, and perhaps because Saudi and Qatari money is spread all over the Clinton Foundation.  Even the U.S. government agrees that some Saudi figures have been supporting ISIL, or ISIS. But the dodge has always been that, well it's just some rogue Princes, using their cut of the oil money to do whatever they like, but actually the government disapproves.

But that email says that no, it is the governments of Saudi and  Qatar that have been funding ISIS.



John Pilger:

The Saudis, the Qataris, the Moroccans, the Bahrainis, particularly the Saudis and the Qataris, are giving all this money to the Clinton Foundation while Hilary Clinton is Secretary of State and the State Department is approving massive arms sales, particularly to Saudi Arabia.

Julian Assange:

Under Hillary Clinton, the world's largest ever arms deal was made with Saudi Arabia, [worth] more than $80 billion.  In fact, during her tenure as Secretary of State, total arms exports from the United States in terms of the dollar value, doubled.

John Pilger:

Of course the consequence of that is that the notorious terrorist group called ISIl or ISIS is created largely with money from the very people who are giving money to the Clinton Foundation.

Julian Assange:

Yes.

John Pilger:

That's extraordinary.

Julian Assange:

I actually feel quite sorry for Hillary Clinton as a person because I see someone who is eaten alive by their ambitions,  tormented literally to the point where they become sick; they faint as a result of [the reaction] to their ambitions. She represents a whole network of people and a network of relationships with particular states.  The question is how does Hilary Clinton fit in this broader network?  She's a centralising cog. You've got a lot of different gears in operation from the big banks like Goldman Sachs and major elements of Wall Street, and Intelligence and people in the State Department and the Saudis.

She's the centraliser that inter-connects all these different cogs.  She's the smooth central representation of all that, and 'all that' is more or less what is in power now in the United States. It's what we call the establishment or the DC consensus. One of the more significant Podesta emails that we released was about how the Obama cabinet was formed and how half the Obama cabinet was basically nominated by a representative from City Bank. This is quite amazing.

John Pilger:

Didn't Citybank supply a list .... ?

Julian Assange:

Yes.

John Pilger:

 ... which turned out to be most of the Obama cabinet.

.

Julian Assange:

Yes.

John Pilger:

So Wall Street decides the cabinet of the President of the United States?

Julian Assange:

If you were following the Obama campaign back then, closely, you could see it had become very close to banking interests.

Julian Assange:

So I think you can't properly understand Hillary Clinton's foreign policy without understanding Saudi Arabia.  The connections with Saudi Arabia are so intimate.

John Pilger:

Why was she so demonstrably enthusiastic about the destruction of Libya?  Can you talk a little about just what the emails have told us, told you about what happened there, because Libya is such a source for so much of the mayhem now in Syria, the ISIL jihadism and so on, and it was almost Hillary Clinton's invasion.  What do the emails tell us about that?

Julian Assange:

Libya, more than anyone else's war, was Hillary Clinton's war. Barak Obama initially opposed it. Who was the person championing it?  Hillary Clinton.  That's documented throughout her emails. She had put her favoured agent, Sidney Blumenthal, on to that; there's more than 1700 emails out of the thirty three thousand Hillary Clinton emails that we've published, just about Libya. It's not that Libya has cheap oil. She perceived the removal of Gaddafi and the overthrow of the Libyan state -- something that she would use in her run-up to the general election for President. 

So in late 2011 there is an internal document called the Libya Tick Tock that was produced for Hillary Clinton, and it's the chronological description of how she was the central figure in the destruction of the Libyan state, which resulted in around 40,000 deaths within Libya; jihadists moved in, ISIS moved in, leading to the European refugee and migrant crisis.

Not only did you have people fleeing Libya, people fleeing Syria, the destabilisation of other African countries as a result of arms flows, but the Libyan state itself err was no longer able to control the movement of people through it. Libya faces along to the Mediterranean and had been effectively the cork in the bottle of Africa. So all problems, economic problems and civil war in Africa -- previously people fleeing those problems didn't end up in Europe because Libya policed the Mediterranean. That was said explicitly at the time, back in early 2011 by Gaddafi'What do these Europeans think they're doing, trying to bomb and destroy the Libyan State? There's going to be floods of migrants out of Africa and jihadists into Europe, and this is exactly what happened.'

John Pilger:

You get complaints from people saying, 'What is WikiLeaks doing?  Are they trying to put Trump in the Whitehouse?'

Julian Assange:

My answer is that Trump would not be permitted to win. Why do I say that?  Because he's had every establishment off side; Trump doesn't have one establishment, maybe with the exception of the Evangelicals, if you can call them an establishment, but banks, intelligence [agencies], arms companies... big foreign money ... are all united behind Hillary Clinton, and the media as well, media owners and even journalists themselves.

John Pilger:

There is the accusation that WikiLeaks is in league with the Russians. Some people say, 'Well, why doesn't WikiLeaks investigate and publish emails on Russia?'

Julian Assange:

We have published about 800,000 documents of various kinds that relate to Russia. Most of those are critical; and a great many books have come out of our publications about Russia, most of which are critical. Our [Russia]documents have gone on to be used in quite a number of court cases: refugee cases of people fleeing some kind of claimed political persecution in Russia, which they use our documents to back up.

John Pilger:

Do you yourself take a view of the U.S. election?  Do you have a preference for Clinton or Trump?

Julian Assange:

[Let's talk about] Donald Trump. What does he represent in the American mind and in the European mind?  He represents American white trash, [which Hillary Clinton called] 'deplorable and irredeemable'.  It means from an establishment or educated cosmopolitan, urbane perspective, these people are like the red necks, and you can never deal with them.  Because he so clearly -- through his words and actions and the type of people that turn up at his rallies -- represents people who are not the middle, not the upper middle educated class, there is a fear of seeming to be associated in any way with them, a social fear that lowers the class status of anyone who can be accused of somehow assisting Trump in any way, including any criticism of Hillary Clinton. If you look at how the middle class gains its economic and social power, that makes absolute sense.

John Pilger:

I'd like to talk about Ecuador, the small country that has given you refuge and [political asylum] in this embassy in London.  Now Ecuador has cut off the internet from here where we're doing this interview, in the Embassy, for the clearly obvious reason that they are concerned about appearing to intervene in the U.S. election campaign.  Can you talk about why they would take that action and your own views on Ecuador's support for you?


Julian Assange:

Let's let go back four years.  I made an asylum application to Ecuador in this embassy, because of the U.S. extradition case, and the result was that after a month, I was successful in my asylum application. The embassy since then has been surrounded by police: quite an expensive police operation which the British government admits to spending more than £12.6 million. They admitted that over a year ago.  Now there's undercover police and there are robot surveillance cameras of various kinds -- so that there has been quite a serious conflict right here in the heart of London between Ecuador, a country of sixteen million people, and the United Kingdom, and the Americans who have been helping on the side.  So that was a brave and principled thing for Ecuador to do. Now we have the U.S. election [campaign], the Ecuadorian election is in February next year, and you have the White House feeling the political heat as a result of the true information that we have been publishing. 

WikiLeaks does not publish from the jurisdiction of Ecuador, from this embassy or in the territory of Ecuador; we publish from France, we publish from, from Germany, we publish from The Netherlands and from a number of other countries, so that the attempted squeeze on WikiLeaks is through my refugee status; and this is, this is really intolerable. [It means] that [they] are trying to get at a publishing organisation; [they] try and prevent it from publishing true information that is of intense interest to the American people and others about an election.

John Pilger:

Tell us what would happen if you walked out of this embassy.

Julian Assange:

I would be immediately arrested by the British police and I would then be extradited either immediately to the United States or to Sweden. In Sweden I am not charged, I have already been previously cleared [by the Senior Stockholm Prosecutor Eva Finne]. We were not certain exactly what would happen there, but then we know that the Swedish government has refused to say that they will not extradite me to the United States we know they have extradited 100 per cent of people whom the U.S. has requested since at least 2000.  So over the last fifteen years, every single person the U.S. has tried to extradite from Sweden has been extradited, and they refuse to provide a guarantee [that won't happen].

John Pilger:

People often ask me how you cope with the isolation in here.

Julian Assange:

Look, one of the best attributes of human beings is that they're adaptable; one of the worst attributes of human beings is they are adaptable.  They adapt and start to tolerate abuses, they adapt to being involved themselves in abuses, they adapt to adversity and they continue on. So in my situation, frankly, I'm a bit institutionalised -- this [the embassy] is the world .. it's visually the world [for me].

John Pilger:

It's the world without sunlight, for one thing, isn't it?

Julian Assange:

It's the world without sunlight, but I haven't seen sunlight in so long, I don't remember it.

John Pilger:

Yes.

Julian Assange:

So , yes, you adapt.  The one real irritant is that my young children -- they also adapt. They adapt to being without their father. That's a hard, hard adaption which they didn't ask for.

John Pilger:

Do you worry about them?

Julian Assange:

Yes, I worry about them; I worry about their mother.

John Pilger:

Some people would say, 'Well, why don't you end it and simply walk out the door and allow yourself to be extradited to Sweden?'

Julian Assange:

The U.N. [the United Nations Working Group on Arbitrary Detention] has looked into this whole situation. They spent eighteen months in formal, adversarial litigation. [So it's] me and the U.N. verses Sweden and the U.K.  Who's right?  The U.N. made a conclusion that I am being arbitrarily detained illegally, deprived of my freedom and that what has occurred has not occurred within the laws that the United Kingdom and Sweden, and that [those countries] must obey. It is an illegal abuse.  It is the United Nations formally asking, 'What's going on here?  What is your legal explanation for this? [Assange] says that you should recognise his asylum.' [And here is]

Sweden formally writing back to the United Nations to say, 'No, we're not going to [recognise the UN ruling], so leaving open their ability to extradite. 

I just find it absolutely amazing that the narrative about this situation is not put out publically in the press, because it doesn't suit the Western establishment narrative -- that yes, the West has political prisoners, it's a reality, it's not just me, there's a bunch of other people as well.  The West has political prisoners. Of course, no state accepts [that it should call] the people it is imprisoning or detaining for political reasons, political prisoners. They don't call them political prisoners in China, they don't call them political prisoners in Azerbaijan and they don't call them political prisoners in the United States, U.K. or Sweden; it is absolutely intolerable to have that kind of self-perception.

Julian Assange:

Here we have a case, the Swedish case, where I have never been charged with a crime, where I have already been cleared [by the Stockholm prosecutor] and found to be innocent, where the woman herself said that the police made it up, where the United Nations formally said the whole thing is illegal, where the State of Ecuador also investigated and found that I should be given asylum.  Those are the facts, but what is the rhetoric? 

John Pilger:

Yes, it's different.

Julian Assange:

The rhetoric is pretending, constantly pretending that I have been charged with a crime, and never mentioning that I have been already previously cleared, never mentioning that the woman herself says that the police made it up. 

[The rhetoric] is trying to avoid [the truth that ] the U.N. formally found that the whole thing is illegal, never even mentioning that Ecuador made a formal assessment through its formal processes and found that yes, I am subject to persecution by the United States.

To support Julian Assange, go to: https://justice4assange.com/donate.html

You can watch the full interview here:
https://www.youtube.com/watch?v=_sbT3_9dJY4



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